documentary
While Tiger King is comfort food for a troubling time, we must challenge ourselves to seek out more selective comfort.
In Shawn Cauthen’s Netflix vs. the World, we witness the rise of Netflix from a fledgling startup to a producer of original content that wins Academy Awards.
Jaddoland’s depiction of immigant life through imagery and meditations will echo throurh ghte hearts and minds of its audience.
While it doesn’t boast any earth-shattering revelations, there is still so much that’s worthwhile about Laurel Canyon.
The State of Texas vs. Melissa unfolds slowly, meticulously and with intent as you witness a cinematic investigation unfold.
Through The Night is not just about a daycare, but about a broken system that forces parents to choose between their children and their livelihood.
Picture a Scientist is the documentary we need to continue the call for action, to continue awareness, and to remind those who would abuse a system, we see you.
Transnistria is a rare gem, straddling documentary and drama to allow an intimate look at a relic of a past time.
Spaceship Earth is a colossal bore, a failure of documentary filmmaking.
The Grand Bizarre represents art at its most autocratic. It’s there in the imperfect stop-motion, in the spontaneous soundtrack, and yes, especially in the sneeze.
Circus of Books packs so much heart and warmth that only the coldest of souls would fail to be moved by it come the end credits.
There is a catharsis In El Father Plays Himself that is achieved through witnessing truth, witnessing the process – one that is not easily forgotten.
Musanna Ahmed reviews four more great films that he saw during CPH:DOX’s online edition this year.
How Far Is Home is a well-made documentary short film with good food for thought that doesn’t quite stick the landing.
Carl Sagan managed, in his tragically brief lifetime, to not only bring about the greatest era of interdisciplinary scientific study, but also to provide unprecedented access to science for the masses.
