drama
We were able to talk with James Fanizza; writer, director, producer and star of the film Sebastian, now available to rent and buy digitally and on DVD.
Please Stand By is already a favorite for this year, with a stunning craft in recycling an overused story telling formula, strong talent to bring it to life and and one of the more accurate depictions of autism.
Powered by memorable performances and Saul Dibb’s sobering deconstruction of the individuals who fought for their country, the engrossing Journey’s End is a hard-nosed, hard-hitting centennial tribute to Britain’s heroes.
We were able to talk with the great actress Rebecca Hall, star of the upcoming film Permission, which she also helped produce.
While nowhere near the best picture of 2018, Fifty Shades Freed does prove itself to be a tantalizing, sultry, and seductive conclusion to the saga of Anastasia Steele and Christian Grey that is sure to satisfy fans.
The Boy Downstairs might be much more adept at comedy than romance, yet first-time writer-director Sophie Brooks tells her story with appealing simplicity, and Zosia Mamet’s first lead performance makes you wonder why on earth it is her first.
We were able to talk with Lauren Wolkstein, co-director of the thriller The Strange Ones, which is now available on VOD. We talked about the movies that inspired her, her experiences in the industry and the making of the film.
The Golden Bear winning, Oscar nominated On Body and Soul is one of the most bizarre love stories in recent memory. It’s a treat for adventurous viewers.
We spoke with Jason James, director of the upcoming comedy-drama Entanglement, which will be released on February 9th.
Permission manages to explore the intricacies of open relationships in a non-judgemental way, portraying a realistic relationship as far from classic romcom tropes as you could imagine.
Like Me is a visual spectacle that delves into the dark underbelly of social media, showing the lengths that people will go to in order to feel accepted on the internet.
Padmaavat is a misguided attempt by director Sanjay Leela Bhansali proving that you can get struck by lightning if you try to capture it in a bottle twice.
With its sheer amount of ‘Straight to DVD’ film sensibilities, Den of Thieves is as generic as bank heist thrillers come, and at a bloated 2 and a half hour run-time as well.
Double Lover is a loving and surprisingly artful homage to the genre’s masters, equal parts a silly and stylish trashy erotic thriller with enough twists and turns to delight any mainstream audiences.
Pleasantville is still relevant 20 years later: In a time where the American Dream is being redefined, Pleasantville tries to tell us that among the chaos and imperfection of this world, you can still find happiness.