drama
New Year is an exemplary artistic showcase of the power of dialogue and performance, wrapped in a tightly constructed celluloid of truth.
Adam McKay has crafted a harsh examination of our treatment and lack of action of the environment we live in, one that is sure to push the conversation.
Thus far, Marvel and Disney’s Hawkeye is proving to be an entertaining romp that doesn’t feel as bound by the MCU timeline.
While Dumont’s France seems more interested in piling dramatic events on top of dramatic events, Seydoux is never less than masterful.
The Power of the Dog is a haunting, powerful character study by Jane Campion, amongst the best films of the year.
The new animated Diary of a Wimpy Kid tells a familiar story and executes it on an arguably bare minimum.
Ridley Scott’s House of Gucci is a biographical crime-drama about the woman who put a hit out on her ex-husband, Maurizio Gucci.
Daryl MacDonald spoke with director Aneil Karia about his film The Long Goodbye, the Oscars, to his latest film Surge, and more!
With the finale, it seemed the pieces had lined up for a swift blow of justice, though as viewers will learn, it is never as easy as it seems.
Queerly Ever After dives into 2006’s Long-Term Relationship, where two men enter a relationship despite their contrasting political views.
In its final episodes, I Know What You Did Last Summer is able to reestablish the firm commitment it has promised at the series’ beginning.
Dopesick is rapidly reaching its conclusion, “Black Box Warning” not only began to deliver the final punches, but began to bring closure to some.
Spencer is fictitious, yet grounded in reality, a prolific examination of mental health through isolation and suffocation of tradition and restraint.
Out of the countless productions of The Scottish Play that exist, Coen definitely brings something new to the table.