drama
From its terrifying opening all the way to its devastating ending, The Fallout deserves immediate attention.
Donkey in a Brahmin Village is deserving of its cult status in Indian cinema as it dared to expose the hideous aspects of religion and society.
Whether you’re looking for ethical complexity or fascinating character studies, you won’t find it in Watchmen.
The 1979 film Stalker is a road movie where characters go deeper into their own minds and what worries the deepest hidden corners of their body and soul.
Rafaela Sales Ross spoke with writer and director Ignacio Ceroi about his film What Will Summer Bring, film’s exploration of diaspora and more!
While Six Minutes to Midnight does tell a story about life on the cusp of World War II, it still doesn’t stand out.
Even though I can feel everything is well-intentioned, little to none of it resonated. Thy movie is amiss.
A sturdy but familiar entry, Nobody hews so close to standards that it brings the whole genre into question.
In his first report from SXSW Film Festival, Soham reviews I’m Fine (Thanks For Asking), Language Lessons and Islands!
In its styles, structures, and personal relationships, Listen to the Universe does the rare feat of turning a competition against itself.
While underdeveloped and sluggish in approach, Phil Sheerin’s The Winter Lake is a sedate, rustic thriller examining familial complexities.
Charm City Kings is an expressionistic, powerful look at a neglected community that gets little attention on-screen.
Legend of the Berlindale Film Festival, Satyajit Ray’s award-winning 1966 Indian drama The Hero (Nayak) showcases the filmmaker’s talents.
Wildfire is a commanding calling card for Brady, showcasing kitchen-sink realism and a powerful portrayal of sibling heartbreak.
It embodies the theory of a movie’s intricate parts, and bit players function initially as individualistic entities that coalesce into a collective.