drama
Amy Seimetz’s sophmore directorial effort is full of great performances, but never engages with the premise enough.
Made in Italy is a fine film to cozy up to, as long as you can overlook the awkwardness and lack of narrative development it presents at times to audiences.
If there’s anyone who can turn something mundane into something magical, it’s director and writer…
Black Water: Abyss starts strong in its horror, but too quickly, the film devolves into a story of drama with a background of splashing water.
It is an unapologetically quirky indie with a big heart and some very valid points to make about the insidiousness of fascism.
If you’re looking for a light, breezy movie to tide you over for a couple hours, Summerland will hit the spot.
The plot is predictable but Rowland’s keen direction and Murtagh’s poignant script raises The Shadow of Violence well above your average crime drama.
Stateless sadly ends up robbing itself of an opportunity to be a show that is truly remarkable and also important.
While not a solid addition to the mystical stories of old, Cursed will keep viewers entertained while introducing a new generation to the stories of old.
Fluctuating between the brilliant and the unremarkable, the filmmaker’s body of work is a sensitive seesaw, ready to shift its weight at any given moment.
Director Franco Rosso’s film Babylon is a hidden gem when it comes to authentic explorations of institutional racism and the immigrant experience.
We spoke with Jeremy Allen White about his role on the long-running series, Shameless, and in Dave Franco’s directorial debut: The Rental.
We attend a roundtable with director Natalie Erika James, cast members Robyn Nevin, Emily Mortimer, and Bella Heathcote to dive deeper into Relic.
From Jeff London comes Arizona Sky, which feels like it would be a perfect entry for Mystery Science Theater: Gay Edition.
Part documentary, part staged, and full of heart, this love letter to the five boroughs of New York City is an enjoyable, chaotic watch.
