drama
For a true story about changing the rules, Safety sticks strictly to the dusty sports drama playbook.
Regardless of its narrative, Kurosawa’s focus on Yoko — and Maeda’s marvelous performance — keep the movie afloat.
Alex Wheatle is yet another strong showing from Steve McQueen and company, and one that feels more personal than the rest.
While far from perfect, Mosul is an effective look into a country ravaged by war and constantly searching for hope.
A genuinely unusual movie that will elicit a genuinely unusual reaction, Wild Mountain Thyme is shockingly terrible.
Celebrating its Blu-Ray, courtesy of Criterion, Crash remains one of Cronenberg’s most fascinating and daring cinematic provocations to date.
Frances Maurer had the opportunity to speak with writers David Bly and Leah Rudick, who also star,about their new film Sweet Parents.
Jim Dixon sat down to interview with director Vladislav Kozlov and the cast of their upcoming film, Immortalist.
While Mank isn’t David Fincher’s best work, it certainly places quite high in his repertoire.
“I’m sorry I’m late”, I say when I’m connected through to Karim Saleh. We’re here…
My Prince Edward brings hope to anyone who yearns for cinema from one of Asia’s most iconic and special regions.
In context to its insufferably self-congratulatory source, Hillbilly Elegy might be the least-bad adaptation one could hope for, for whatever that’s worth.
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.
Daryl MacDonald spoke with director Zeina Durra about her film Luxor, the city of Luxor itself to spirituality, dreams, accents, and more!
Luxor will reward that patience with a lovely, unsentimental look at life, which is well worth the price of admission.