drama
An earnest and perceptive drama that deals with homelessness and mental illness in ways that inform and engage, Princess of the Row is a must-see indie.
Fruit Chan’s Made in Hong Kong’s bleak tale of alienated youth should appeal to anyone who has ever felt the future slipping away from them.
It is an innovative piece of work; it starts off intense and visceral until it takes a turn and becomes a tender, compassionate exploration of acceptance.
Honest with its subject matter, Uncle Frank is a very conventional drama where something topical in the 1970s is still relevant today.
The Sounding is a tribute to William Shakespeare first and foremost, though that adoration often gets in the way of its storytelling.
Smuggling Hendrix is a largely remote concept, but its political relevance emerging from its silly conflict makes it an accessible, amusing dramedy.
Exile requires a certain level of investment to procure the fruits of the third act, but will certainly leave you introspecting your life.
Beyond the Horizon is almost a traditional coming-of-age story that operates in accordance with the rules of the genre, but set apart by its twist.
Reyzando Nawara had the opportunity to speak with Cooper Raiff about his movie Shithouse, the painful yet realistic part of the college experience, and more!
While it’s visually handsome, with performances from the two leads that are equally staggering, the show fails to accomplish what it wants to do.
A gorgeous, thrilling portrayal of careless childhood dissolving in the summer sun, Smooth Talk is a landmark coming-of-age film.
With both leads shining bright, Cicada is altered, and elevated, by an undercurrent of trauma that haunts its central pair.
Rebecca is not a bad or dull film, but it squanders the immense potential for something vital and thrilling in du Maurier’s tale.
Mainstream hardly qualifies as a satisfactory, much less intelligent response to the media-saturated simulacra it lounges very comfortably within.