drama
There’s so much to be said, and yet we settle into a story that sometimes takes the easier road if not the obvious one.
Alex Lines had the chance to talk with Rams director Jeremy Sims about adapting the Icelandic drama.
The Devil All the Time is disturbing and unrelenting in its catharsis and its portrayal of the cycles of violence.
If you’re feeling nostalgic for early oughts movies like She’s All That, then Latter Days from C. Jay Cox is for you.
Rose Plays Julie archaeologically digs through human suffering, one fragment at a time, bringing its characters’ traumas out to see the light.
Summer of 85 is one of the best coming of age stories in recent memory – an affecting tale of first love and first heartbreak.
It is a tonal trick of some skill that Harry Macqueen has pulled off with Supernova and thankfully, he spoke to Andrew Young about just how he did it.
Those who bought tickets to see the woman-meets-ride romance won’t be disappointed but Jumbo has more on its mind.
The movie itself may not linger in the minds of viewers, but Moss’ performance almost certainly will.
Fargo feels monotone as it’s too busy delivering speeches instead of creating compelling arguments about the timeless topics it wants to tackle.
A small-scale, intimate story of strength and friendship it may be, but Herself has a thematic reach well beyond its plot.
The Devil Has a Name is worth watching for its message and for the strength of its three leading protagonists.
There is much to enjoy about Tragic Jungle, but in the end, one is left hungry for something more than what the film actually is.
There is a cathartic experience Shithouse lends to its audience, a character study not so much in the characters themselves but character of emotions.
In this Away From the Hype, Sean Fallon takes a look back at last year’s Cats.