film industry
For Dinner With Dames #14, Cinefemme gathered a group of women filmmakers to dine with the night’s mentor, Kimberley Browning, producer, executive producer of HBO Access, and associate programmer at TriBeCa Film Festival.
“[It] should be the norm that we’re just casting across the board all kinds of different people, because that’s how our world looks” – we spoke with the insightful and delightful Stephanie Beatriz, who stars in Heather Graham’s HALF MAGIC.
While a handful of trailers from 2017 did their job, they were the exception, not the rule. If the box office is to improve in 2018, we need better trailers that are more than just boring, random CGI explosions.
For Dinner With Dames #13, Cinefemme gathered a group of women filmmakers to dine with the night’s mentor, VJ Boyd, writer on CBS’s S.W.A.T.
In this second part of Going Off, ‘Prestige & Profits’, we detail how financing in the Australian film industry works, what gets funded, and what role prestige titles play in the perception of the modern Australian cultural image.
There’s a sense of shallowness to Ferdinand, a film so generic and formulaic that it’s hard not to be cynical about its construction.
Dinner with Dames Case File Who: Osnat Shurer, producer of Moana, & Cinefemme board, fiscal…
For Dinner With Dames #11, Cinefemme gathered women filmmakers to dine with Rachel Shane, Chief Creative Officer at OddLot Entertainment.
In this in-depth analysis of the revelations of abuse of women in Hollywood, we consider how we got here, and what we can do.
mother!, Darren Aranofsky’s polarizing film, is doing poorly at the box office – just what does that mean for the future of studios?
For Dinner With Dames #10, Cinefemme gathered a group of women filmmakers to dine with Byron Willinger, writer of The Commuter.
Not all recycled ideas are created equally – many can be terrible, while some can excel. Here Zac Hestand presents the six levels of Rip-offs.
Gone is the heyday of the classic 90’s romantic comedy, but why is it that so many contemporary romantic comedies fail?
If done right, a Grand Theft Auto adaptation would be thrilling, hilarious, and could be one of the most ambitious adaptations ever produced.
For Dinner With Dames #9, Cinefemme gathered a group of women filmmakers to dine with Lawrence Kopeikin, entertainment attorney at Morris Yorn.
