neo-western
As it is, Cry Macho is the type of story that Eastwood has both told and portrayed better in the past.
Film Inquiry’s Luke Parker spoke with writer-director Ricky Staub about his Netflix film with Idris Elba, Concrete Cowboy.
Let Him Go is both a period piece — though set in the 1950s, not the Old West — and also a tale pregnant with grief.
Like last year’s Academy Award-winning Parasite, Bacurau manages to turn the class struggle into inventive entertainment without its overall message losing any of its potency.
Over at our official Facebook page, we are currently posting daily film recommendations with each week being a different theme.This week’s theme is the films of British cult director Alex Cox, and this article is a collection of those recommendations! The definition of the “cult movie” director, Alex Cox has had an incredibly interesting career, flirting with both studio and independent filmmaking – imprinting his own unique anarchic vision with each film he makes.
Here at Film Inquiry, we were quite excited about The Rover. The trailer looked very promising; moreover, the movie was directed by famous and notorious director David Michôd. Famous for his hauntingly emotional scripts, notorious for the amounts of violence he tends to feature.
