Jena Malone
Antebellum, for all it promises, fails on several levels to ever come full circle in its intent while only worrying about a failed twist ending.
Quite beautifully, Lorelei turns this redemption tale into one of the sweetest on-screen portrayals of fatherhood.
Successful author Veronica (Janelle Monáe) finds herself trapped in a horrifying reality and must uncover the mind-bending mystery before it’s too late.
The Public is an amusing and eccentric film that provides a candid look at humanity, a powerful reminder to be kind and put our biases aside.
It may have been sat on the shelf for three years, but Angelica is worth the wait- a slow burning period piece that’s quietly powerful.
So Yong Kim’s Lovesong is a minimalist, strikingly formed small-scale drama about two female friends slowly falling in love.
There is offense to be taken with the frame and exterior of physical bodies. Beauty, it has been said, is in the eye of the beholder. Yet, one can’t help but feel that, since the rise of feminism and the development of the male-gaze interpretation, almost all appreciation for the aesthetics of a given film has been entirely lost.
