THE GREEN KNIGHT: A Journey That Travels At Its Own Pace
THE GREEN KNIGHT: A Journey That Travels At Its Own Pace

The Green Knight is an immersive, beautifully photographed if sometimes frustratingly structured fantasy adaptation.

THE TOLL A Wicked Welsh Western
THE TOLL: A Wicked Welsh Western

Ryan Andrew Hooper’s The Toll is a Welsh Western that takes its cues from Clint Eastwood’s Unforgiven and flips them on their head.

GHOST: Quiet Drama. Boisterous Finale.
GHOST: Quiet Drama. Boisterous Finale.

Ghost ultimately haunts the viewer with tight dialogue, brave character development, and powerful storytelling.

THE HIDDEN LIFE OF TREES: Conservationist Peter Wohlleben Speaks for The Trees
THE HIDDEN LIFE OF TREES: Conservationist Peter Wohlleben Speaks for The Trees

In The Hidden Life Of Trees, conservationist Peter Wohlleben is a modern-day Lorax as he educates and speaks for the trees.

NINE DAYS: Beautiful & Heartbreaking, Edson Oda's Brilliant Debut Stares From The Abyss
NINE DAYS: Beautiful & Heartbreaking, Edson Oda’s Brilliant Debut Stares From The Abyss

Written and directed by Edson Oda in his directorial debut, Nine Days is as thoughtful as it is beautiful, as heartbreaking as it is jovial.

JUNGLE CRUISE: How Is It This Bland?
JUNGLE CRUISE: How Is It This Bland?

Jungle Cruise is far from cringe or embarrassment, and sure, it’s never actively terrible. But the bar shouldn’t be set this low.

THE BOY BEHIND THE DOOR: A Horror Film That Wants To Be More
THE BOY BEHIND THE DOOR: A Horror Film That Wants To Be More

The Boy Behind the Door boasts some incredible shots, framing marrying with its lighting, crafting intrigue, and lasting impressions.

DUAL MANIA: Putting The 'Psycho' In Psychosis
DUAL MANIA: Putting The ‘Psycho’ In Psychosis

While it might feel out of touch with reality, it’s in the more personal aspects of his story that it manages to keep itself from falling off the deep end.

OLD: A Sinking Feeling
OLD: A Sinking Feeling

Despite a strong first half, Old, the latest nightmare from M. Night Shyamalan, quickly falls apart in the second half.

TILL DEATH: An Empty Film With Empty Vows
TILL DEATH: An Empty Film With Empty Vows

Slow and overall boring, Till Death only slightly leans into the intensity and intrigue it promises.

FEAR STREET PART THREE: 1666: Perfect End to the Trilogy, but Leaves Room for More
FEAR STREET PART THREE: 1666: Perfect End to the Trilogy, but Leaves Room for More

Fear Street Part Three: 1666, the third part of a trilogy, ties everything perfectly back to the first two films.

THE NEW BAUHAUS: The Legacy Of László Moholy-Nagy
THE NEW BAUHAUS: The Legacy Of László Moholy-Nagy

A creative exploration of the legacy of Moholy-Nagy, an artist who never became a household name and yet whose life’s work is nonetheless ever-present.

THE SURGE AT MOUNT SINAI: Humanity in the Heartache
THE SURGE AT MOUNT SINAI: Humanity in the Heartache

The Surge at Mount Sinai details the struggle early healthcare workers faced in the early stages of the COVID-19 pandemic.

ONLY YESTERDAY, Isao Takahata's Forgotten Masterpiece, 30 Years Later
ONLY YESTERDAY, Isao Takahata’s Forgotten Masterpiece, 30 Years Later

Thirty years on, the poignant, thoughtful Only Yesterday stands out as a mature, sophisticated gem among Studio Ghibli’s catalog.

SETTLERS: A Martian Nightmare
SETTLERS: A Martian Nightmare

While Settlers doesn’t quite reach its lofty goals, it instills a palpable sense of dread that keeps you planted in your seat.