Film Reviews
While not as predictable as the pattern, Argylle doesn’t have much surprise despite its cast and energy.
The Accident is an Italian dramatic comedy from Giuseppe Garau that’s intimate, engaging, and a bold step into the world of fictional narrative features.
Director Sean Mattison, along with producer Trevor Martin and their team, follows Petro from his campaign’s inception on through the historic election day.
Disco Boy doesn’t quite work, though thanks to some quality craftsmanship and the always-fantastic Franz Rogowski, it does come close.
Kristy Strouse takes on three bold short films, wrapping up this year’s Sundance Film Festival with some horror, some comedy, and some punk rock.
In All I’ve Got and Then Some, Rasheed Stephens brings his own experiences to the big screen to tell a story of passion, dedication, and sacrifice.
A multilayered depiction, Good Grief delivers on what its title promises and audiences will find they are richer in experience for it.
With this report of the Sundance Film Festival, I delve into a world of crime, of the dead returning to life, and a true coming-of-age story.
An effective and vitally relevant piece of cinema, Eternal You is both a display of hope and caution that we all need to hear.
With these three documentaries, we can experience wildly different subjects, but take them all with a sense of awe.
Writer-director Rich Peppiatt brings the story of Kneecap, a real-life Irish rap group, to the big screen in a way that The Dirt wishes it did.
We interview multi-talented Writer/director Masha Ko who recently won the Sundance Jury Award for Best Short Film Director at this year’s Film Festival!
With Frida and Gaucho Gaucho, we gain perspective into an iconic Mexican artist and an Argentine community upholding decades of tradition.