Patty Jenkins
Warner Bros. has finally made Wonder Woman 1984 available physically on Blu-Ray, and franchise fans should be pleased with the results.
By examining these two films, audiences can come to terms with why this struggle against business practices in America has felt so small in past films.
Though not without its flaws, Wonder Woman 1984 proves to be a worthy and striking follow-up to an already great prequel.
Gal Gadot is back as Wonder Woman, and one more solo hit should make her the unequivocal face of the DCEU.
I Am the Night is a thrill ride that not only tells Fauna Hodel’s incredible story, but also pays homage to the LA noirs of the past.
We look back at the wonder women of 2017, the women directors and writers who pushed through barriers in the industry, advancing gender equality and making history.
In the summer films War for the Planet of the Apes, Wonder Woman, and Dunkirk, the serious subject of war is pandered down to its audience.
Jenkins, Gadot and company all worked admirably to bring the first Wonder Woman film out in a grand, exciting way, and that work has not gone to waste.
The DC franchise is flailing under poorly received films and widely publicized production troubles, leaving the relatively smooth sailing of Wonder Woman as a beacon of hope.
