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Mission: Impossible — The Final Reckoning review
Cannes 2025: Mission: Impossible – The Final Reckoning
PINK NARCISSUS: A Queer Underground Classic Resurfaces
PINK NARCISSUS: Wild Dreams Can Overcome Low Budgets
The Ruse: A Moody Mystery
The Ruse: A Moody Mystery
CAUGHT BY THE TIDES: Sea Change
CAUGHT BY THE TIDES: Sea Change
HUNG UP ON A DREAM: A Winsome Portrait of The British Invasion Act The Zombies
HUNG UP ON A DREAM: A Winsome Portrait of The British Invasion Act The Zombies
Absolute Dominion: Doesn’t Deliver
ABSOLUTE DOMINION: Doesn’t Deliver
LOVE HOTEL: An Interesting Intruder in Shinji Sômai's Filmography
LOVE HOTEL: An Interesting Intruder in Shinji Sômai’s Filmography
Interview With Rachel Suissa Writer/Director and Star of GREEK MOTHERS NEVER DIE
Interview With Rachel Suissa Writer/Director and Star of GREEK MOTHERS NEVER DIE
DESERT OF NAMIBIA: The Gloom Generation
DESERT OF NAMIBIA: The Gloom Generation
Interview With Kevin Durand For CLOWN IN A CORNFIELD
Interview With Kevin Durand For CLOWN IN A CORNFIELD
Greek Mothers Never Die: A Lively, Lovely Film
GREEK MOTHERS NEVER DIE: A Lively, Lovely Film
Yadang: The Snitch: A K-Popcorn Flick
YADANG: THE SNITCH: A K-Popcorn Flick

THE 15:17 TO PARIS: A Messy, Bizarre and Formalistically Daring Masterpiece

by
February 15, 2018

Alistair is a 25 year old writer based in Cambridge.…

THE 15:17 TO PARIS: A Messy, Bizarre and Formalistically Daring Masterpiece

Alistair is a 25 year old writer based in Cambridge. He has been writing about film since the start of 2014, and in addition to Film Inquiry, regularly contributes to Gay Essential and The Digital Fix, with additional bylines in Film Stories, the BFI and Vague Visages. Because of his work for Film Inquiry, he is a recognised member of GALECA, the Gay & Lesbian Entertainment Critics' Association.

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