
When the Oscar nominations rolled in on Thursday, perhaps the biggest surprise – other than the snubs for Selma – were the six nods including Best Picture and Best Actor for American Sniper, a movie which few expected to be in the running after getting no attention from the Golden Globes or BAFTAs. There was an even bigger surprise a few days later, when it was announced that the film drew in a stunning $89 million in its opening weekend, which is more than most of last year’s summer blockbusters. The Iraq War drama snuck up on the awards race out of nowhere, and shattered January box office records beyond all expectation.

What We Do In The Shadows is a mockumentary that expertly takes the piss out of the currently very glamorous pop culture status of the historic monster, the vampire. It initially features four vampires who live together in a flat in Wellington, New Zealand. All have arrived there for different reasons:

At some point in life, everybody does something brave. Whether it’s as big as rescuing somebody from a burning building or just standing up to the bullies who have taken their lunch money, it’s these moments of courage that continue to define them as a person. In every single movie he’s in, Nicolas Cage has a moment of courage that elevates whatever straight-to-DVD mess he’s in from something mediocre into something slightly less mediocre.

Technology in the last few decades has grown by leaps and bounds. Very few could fathom the thought of a wireless telephone or even a smart phone during the lifetime of Alexander Graham Bell. Now we have the internet, various devices that require the internet, and soon enough, replacements for those who use the internet and related devices.

Hollywood has always been something of a boys club. If you think about the golden era of the studio system, you always hear about larger-than-life stars and the maverick, alpha-male directors that made all the classics we know and love today. Think of pictures of giants such as Howard Hawks, Samuel Fuller, John Huston, or Alfred Hitchc*ck, who are usually seen dictating their vision with booming authority.

Ant-Man makes his first appearance on the white screen next year, being the latest addition to the Marvel Cinematic Universe. The movie features Paul Rudd as Ant-Man, Evangeline Lilly, Hayley Atwell, Michael Douglass, Michael Peña and a handfull of other familiar names. It was directed by Peyton Reed (best known for comedies like Yes Man and The Break-Up) and its screenplay was written by Adam McKay, Gabriel Ferrari and Andrew Barrer.