
Among the animation giants of Disney and DreamWorks, it’s good to recognize directors who have perfected their craft outside the western sphere, and we’re not talking Hayao Miyazaki here (although he’s but a stone’s throw away). Satoshi Kon is a Japanese anime director known for his blending of fantasy and reality in his slickly edited films. In contrast to the magical animated realities of Studio Ghibli, Kon’s realities are completely grounded in the modern era, their subject matter rooted in the intertwining of identity and technology.

For a horror sub-genre that is frequently criticised for misogynist overtones, it is surprising how many gothic filmmakers haven’t combined the LGBT themes inherent in horror with the rampant violence of slasher film more frequently before. You’re Killing Me is a horror-comedy that puts the emphasis on the comedic elements, its many detours into slasher film never feeling either shocking or as amusing as the film around them. But it is unique for a film in this sub-genre to remove any subtext about societal fears among gay people in contemporary society and just make a straightforward horror-comedy with no deeper thematic resonance.

A natural poster child for the 1950’s cool jazz movement, the young version of Chet Baker was all chiseled jaw, coiffed hair, and lounging trumpet. The image has long drawn comparisons to James Dean, and perhaps if Baker had died young he would also be remembered as a piece of nostalgic Americana. But Baker lived to the age of 58, battling drug addiction and enduring the familiar career rhythms of a special talent who just couldn’t hold it together.

I’m going to be honest and admit that 15 minutes into this film I didn’t want to watch any more. Which is strange, because usually I’m a glutton for punishment when it comes to films I don’t necessarily enjoy. I’ll quite happily sit through to the end, hoping for a change in direction or a ‘bigger picture’ reveal.