While we always talk about The Beatles and The Beach Boys, but the impactful legacy of The Ventures deserve their due.
The Xrossing steadily forms into a heartbreaking variation on familiar story beats that blends regional melodrama with a hard-edged crime-thriller.
The Jinkx & DeLa Holiday Special is a labor of yuletide love that shows the raw creativity and determination of queer performers.
“I’m sorry I’m late”, I say when I’m connected through to Karim Saleh. We’re here…
The Cry of Jazz does not waste energy or time, and in doing so it succeeds in breaking through with its considerable strength.
Fatman is an exhausting, vile, depressingly boring movie which might have been kinda funny as a skit or short.
As a man tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
Film Inquiry recently spoke with Ian and Eshom Nelms about their latest production, the bloody holiday bash Fatman.
My Prince Edward brings hope to anyone who yearns for cinema from one of Asia’s most iconic and special regions.
Black Bear goes to such lengths to get across a mundane idea that even its lack of meaning is forgivable in light of its wild viewing experience.
A young man finds romance with a literary agent while taking a trip with the woman’s famous aunt and her friends.
If you want to furnish the holidays with a bit of supplementary “cheer”, pop in one of these gems and you find yourself with some holiday cheer.
As part of Melbourne’s annual Monster Fest, we got a look at one of the films in the lineup: Brandon Cronenberg’s Possessor.
In context to its insufferably self-congratulatory source, Hillbilly Elegy might be the least-bad adaptation one could hope for, for whatever that’s worth.
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.