The problem is not only that The Jesus Rolls doesn’t work as either a Lebowski spinoff or a Going Places remake, but that this movie barely works as anything.
The director (Yeung) and cast of Suk Suk (Tai Bo, Ben Yuen, Patra Au) sat down with Film Inquiry to talk about the film when it was shown at the Berlin International Film Festival.
Despite being marred down by the Sherry Pie scandal, episode two of Rupaul’s Drag Race season 12 was a good one.
I Am Not Okay with This is a great show that feels both familiar and refreshing, twisting the formula of superhero origin and coming-of-age stories.
We were able to speak with Jonas Chernick, star of the upcoming sci-fi James vs. His Future Self, during the 2020 Glasgow Film Festival.
Romeos gets points for being one of the few films out there about a trans-man who gets a happy ending, but it is mired in unlikable characters who run the gamut of stereotypes.
Over the last few years, the name of Alex Garland has become synonymous with modern sci-fi,…
Vivarium is a strange beast and not everything works within its bizarre world, but it’s an endlessly compelling watch.
In The Secret Garden, an orphaned girl discovers a magical garden hidden at her strict uncle’s estate.
Despite an all-star cast of respectable and often captivating actors, The Last Thing He Wanted ultimately falls apart due to its convoluted storytelling.
Prolific German documentarian Thomas Heise returns with Heimat is a Space in Time. We spoke with the director ahead of the film’s release.
Suffering from poor editing and poor character development, Run This Town seems fated to become lost in a sea of releases.
We spoke with Pari director Siamak Etemadi about the tone of the film, its lead, and how he expects Western audiences will receive the film.
Wilson Kwong reviews two films from emerging filmmakers that screened at Berlinale 2020: Ordinary Justice and Pari.
This telling of White Snake adds an action-fantasy plot to its romance story, and feels like a mesh of other fantasy films you’ve seen before.