The Melbourne Queer Film Festival (MQFF) is the largest queer film fest in the Southern…
Comprised as it is primarily of archival footage and talking heads collectively geeking out, it could be easy to find Memory: The Origins of Alien overly dry.
Slowly, over 11 years and 22 feature films, not to mention some admirable TV shows sprinkled in between, Marvel has been training audiences to return to their screens again and again.
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese is more so curated than directed by the cinematic icon whose name is in the title.
Ad Astra is not without its flaws, but Gray’s science-fiction endeavor is ultimately one of the best films of the year.
In the Shadow of the Moon joins the ranks of Equilibrium and the most recent Planet of the Apes trilogy as a politically motivated film disguised as a popcorn flick.
With Renée Zellweger giving a career best performance, Judy is a simple but moving film, celebrating an icon.
In The Aeronauts, a pilot and a scientist find themselves in an epic fight for survival while attempting to make discoveries in a hot air balloon.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
We spoke with Oscar winning director DeWitt Sage about the 30th anniversary of his film Distant Harmony: Pavarotti in China.
When Barry Jenkins makes a movie, he composes an elegy for the sweet life that almost happens. An overview of Jenkins’ work thus far.
Random Acts of Violence forces the audience to confront their own enjoyment at watching others’ pain
Prolific British writer-director William Nicholson’s Hope Gap is a charming, yet altogether bleak portrayal of a…
Three films. Three different languages. From NYFF, Kevin Lee reviews Sybil, Beanpole and Saturday Fiction.
In David Fontana’s final report from TIFF 2019, he covers Judy, The Personal History of David Copperfield and Sound of Metal.