With the strength in its original script and performances, Bite Me is an incredibly refreshing rom-com that has a lot to say about today’s world.
The Good, The Bad, The Hungry looks deep into the world of professional earring and how hot dog eating feels like the height of campy fun.
As Alien turns 40 this year, it’s a good time to revisit the original film, examining the legacy that has endured from it.
In his final installment examining Edgar Wright’s “Cornetto” Trilogy, Faisal al-Jadir looks back at the the trilogy’s return to anarchy with The World’s End.
Musanna Ahmed had the opportunity to speak with directors Waad al-Kateab and Edward Watts about their eye opening documentary For Sama.
LGBTQ+ fans want good stories about queer people, not the cop-out nonsense of Pitch Perfect 3 or wishy-washy garbage like Pitch Perfect and Pitch Perfect 2.
Tracks is a rather tedious ride that doesn’t possess any of the characteristics a rom com should have in order to soar.
Anima visualises and synthesises Thom Yorke’s perennial themes of the political and personal in an arresting, touching – and somewhat surprising – way.
Spider-Man: Far From Home has all the right stuff, tinkering with the superhero formula and reshaping what we’ve come to expect.
Too Old To Die Young might be exhausting, but both of these episodes with their shocks and new emotional layers are incredibly rewarding to watch.
Whilst some of the standard-bearers for this era invite us to far-flung worlds, FX’s Pose takes us just 30 years into the past to discover New York’s ballroom scene.
In his second installment examining Edgar Wright’s “Cornetto” Trilogy, Faisal looks back at the two faces of fascism within Hot Fuzz.
“Where should we go after the last frontiers? Where should the birds fly after the…
Horror classics When A Stranger Calls (1979) and When A Stranger Calls Back (1993) are being re-released on BluRay. Alex Lines takes a look.
Much as Pitch Perfect treated Cynthia as someone to laugh at, Pitch Perfect 2 uses Chloe’s bisexual leanings to distance her from the audience.