Episode 3 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
I Am Durán isn’t structured in the most cinematically exciting way but it’s a story that’s excitingly cinematic.
Brightburn is a fun and thrilling experience that’s bolstered by a unique narrative and chilling performances.
In our final Cannes roundup, the team reviews some of the festival’s hotly anticipated films, including the latest by Quentin Tarantino and Xavier Dolan.
Nomad: In the Footsteps of Bruce Chatwin was more a work of personal catharsis for director Werner Herzog more so than an informative documentary for us.
Tragic endings have long been the trend in queer cinema; Queerly Ever After is a column that covers films that give queer characters the happily ever after they deserve.
Crisis Hotline is upsetting, but it vividly portrays how we can’t always control the outcome. Andrew Stover reviews.
In Angel Has Fallen, Mike Banning is framed for the attempted assassination of the President and must evade his own agency and the FBI as he tries to uncover the real threat.
As a live-action Gundam movie, this was very ambitious, but not quite the special many of the Gundam fans were hoping for.
Terminator 2: Judgment Day is one of the greatest action movies of all time. Read why it should be the blueprint for all future entries in the genre.
Lisa Hanawalt’s colorful Tuca & Bertie explores womanhood, bodies, friendship and trauma – what it lacks in direction, it makes up for in sincerity.
While Photograph is frequently too slow to engross yourself in, it’s unique and intriguing enough to carry interest.
After its unceremonious cancellation on FOX, “Lucifer” finds new life on Netflix for its fourth season. We take a look.
Dogman stands as a uniquely moving viewing experience, reinvigorating a film movement that otherwise might seem obsolete or outdated.
In our latest Cannes roundup, the team reviews a variety of films, from Céline Sciamma’s Portrait of a Lady on Fire to Boon Joon-ho’s latest Parasite.