Tomm Moore’s 2014 animation Song of the Sea is an unapologetically emotional tale, that aims to make the viewer embrace what it means to be human.
We were able to speak with Jeffrey Wright and Vainuupo ‘A.V.’ Avegalio, who are both involved with the documentary We Are Not Done Yet.
Although it’ll be overshadowed by The Hate U Give, River Runs Red is an important film. The themes it explores make it a vital piece of social commentary.
The Manga Master takes a potentially interesting subject, and transforms his life into the stuff of biopic cliche.
Alex Pettyfer keeps us guessing as he directs and stars in the complicated family drama, Back Roads.
The Haunting of Hill House is full of arresting images and startling moments of pure drama; this is a show that doesn’t skimp on the heft and it presses its viewers with an inherent need to invest.
Sacrifice is not as strong as Brown’s other work, particularly his fascinating previous effort The Push, but it’s still bound to get people talking.
In our latest recap from the Tokyo International Film Festival coverage, Tynan Yanaga reviews Lust in a Karaoke Box and Melancholic.
Clunky and at times, confusing, Here and Now fails to give Sarah Jessica Parker the chance to dive deep into herself and give the emotional performance she was hoping for.
There is a tiredness within American Horror Story: Apocalypse’s “Sojourn”, and its inability to reinvent the Satanic image.
In Destroyer, Nicole Kidman stars as a police detective who reconnects with people from an undercover assignment in her distant past in order to make peace.
American Horror Story has referenced previous seasons throughout the show but has scarcely included “Murder House”, this year calling forth old ghosts, cutting open their retelling of Rosemary’s Baby in 2018 and considering what else is to be said.
One Cut for the Dead is an inventive zombie comedy that encourages the feel good celebration of the hard work that goes into making any film.
Despite some individually great moments, How To Get Away With Murder’s “We Can Find Him” doesn’t come together as strongly as hoped.
The most frustrating thing about The Nutcracker and the Four Realms is it’s not a terrible movie – just a movie that’s never interesting, magical, or perilous.