Miss Giddens (Deborah Kerr), the new governess for two orphaned children in Victorian England, arrives at their idyllic country estate in the beginning of the psychological horror film, The Innocents (1961). The naive young woman, who has a lived a solidly middle class existence as a vicar’s daughter, marvels at the stately home and spacious grounds. Everything, including her two young charges, seems innocent and perfect.
Every year I seem to arrive at an impasse with horror films. Like many other lovers of the genre out there, we will always have love for Jason, Freddy, and Michael Myers (just tell Rob Zombie to cut it out). But when you’ve seen one too many teens by the lake, and you hear Freddy say “bitch” one time too many, you realize there’s more to the genre than just blood lust and hockey masks.
Every week Film Inquiry publishes the movies that are opening in cinemas! This week: Steve Jobs, Suffragette, Paranormal Activity:
Suffragette has been grabbing the attention of the media and public long before it was even released. First, there were rumours that there were to be no women of colour in the film (this is true). Then there was the at best ignorant, at worst painfully offensive campaign led by Meryl Streep and the rest of the cast, featuring photos of them wearing t-shirts stating ‘I’d rather be a rebel than a slave’.
The link between film and art is well-documented, especially how filmmakers are influenced and inspired by their favourite artists and paintings. One of the best and most famous examples is Stanley Kubrick’s Barry Lyndon, where many scenes imitate classical paintings from the 1700s. There are plenty of contemporary examples too.
Hannah and Tahir fall in love on the streets of New York. They are both homeless. Shelter explores their pasts and leads to the realization that they need each other to have a future.
Near the conclusion of Hellboy II, we find the eponymous hero at death’s doorstep. Hellboy is laid at the feet of his personal Angel of Death, a shrouded, veiled monstrosity whose ragged wings are festooned with a series of enormous, amber eyes. Elizabeth Sherman, Hellboy’s partner, cradles his unconscious body in a pose reminiscent of the Pietà, an aesthetic emphasized by the magical spearpoint thrust into Hellboy’s side.
I’ve entered a phase of my life where I’m just so bored with English movies unless they’re superhero movies or indie flicks. Hence, I’m looking outside U.S.
Fingers, the Indiegogo-funded short film from writer/director Alex Marx and producer Savannah James-Bayly, is a slick and stylish crime drama that blends Biblical themes with 1960s London glam. From the filmmakers’ own mouths: Fingers is a short crime drama based on the Biblical story of Salome and the martyrship of John the Baptist, reimagined in the murky underworld of a 1960s nightclub in London’s East End.
Who is the best football player in the world? No one can answer that with certainty. Of course, this is about modern football’s greatest rivals, Argentinian Lionel Messi and Portuguese Cristiano Ronaldo.
John Hughes had the innate ability of tapping into the voice of a generation unlike any other director I’ve seen. His movies continue to make a lasting impact on the film industry – and it’s easy to see why. Ferris Bueller’s Day Off, The Breakfast Club, Pretty In Pink and a plethora of other “teen” films that redefined the genre, gave thousands of hearts and minds a voice – something coveted if you were an angsty teen growing up in the mid-eighties.
With Halloween coming up, everyone’s in the mood for horror, so, we’ve got a great indie horror for you today! In The Boom Boom Girls of Wrestling, six female athletic actresses get cast as superheroes on a wrestling show. The girls are pretty much willing to do anything to become rich and famous, so why not wrestling?
Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is Great Remakes.
“Your American ears won’t understand, your eyes will see things that make no sense, but in the end you’ll understand,” DOD Operative Alejandro (Benico Del Toro) Brazen sunlight beats down on the terrain, voiding any visible shadows. Homes and domiciles of the Phoenix desert fill and occupy the frame, and the camera remains momentarily stationary. But then, in an instant, the machinery that captures and reproduces light stirs and begins to pan from right to left across the suburban community; as human beings, FBI agents in full riot gear with guns pointed, to be precise, enter into the picture.
Every week Film Inquiry publishes the movies that are opening in cinemas! This week: Goosebumps, Crimson Peak, Bridge of Spies, Truth, Room, All Things Must Pass: