I am probably one of the least qualified to talk about The Hunger Games. I’ve never read the books and intermittently fell asleep (not because of the movie) as I was viewing part 1 on my 20 hour flight. Regardless, I present to you this trailer for The Hunger Games:
It’s 12:15AM. The once frantic New Year’s Eve party is well on the decline, most party-goers have ventured off, some have passed out or are making out and several lively people remain.
If there is ever a fitting description for Arnold Schwarzenegger’s cinematic persona, then it is this: action film hero. Time and time again, we’ve seen the ex-California Governor’s face adorning several iconic titles, portraying mere mortals (or robots in Terminator’s case) possessing near-superhuman ability, an eye for supersized weapons and a knack for crisp one-liners.
Bullying is a smorgasbord of crazy stupidity. He could be sociopathic or simply be a jerk. Parents get in on the action and believe their little devil is a little angel.
Before it had even stepped into the ring, Southpaw was dead on arrival. After all, although boxing isn’t the sport that has generated the most movies, it is the sport that has generated the most beloved cinematic classics – from Rocky and Raging Bull to the more recent likes of Million Dollar Baby and The Fighter. At the screening I attended, I was far more likely to greet it as an unwelcome entry to the boxing movie pantheon, due to the fact that the last trailer before the movie started was for Creed, the new Rocky spin-off that benefits from having Sylvester Stallone yet again reprising his most iconic role.
It sounds so easy on paper. Take a successful creative work that already has a large following and put it on the big screen, what could possibly go wrong? A lot it seems, as it can be rather difficult to find any game film released that has been received positively, and with the recent travesty released being in the form of Pixels there seems to be no hope in sight.
Terrance is a documentary short made by Joris Debeij and forms part of a series of films (I Am Los Angeles) that focus on the stories of people who live in Los Angeles. Terrance documents the life of the young black teenager, Terrance Thompson, his losses, and his resulting depression. All things going to plan, Terrance Thompson will have graduated high school by the time you read this review.
Many women identify with Jennifer Lawrence because they can relate to her down-to-Earth personality. More than that is that she plays strong female leads independent of men. This new trailer showcases the ideal narrative for female empowerment.
Truth be told – I don’t watch movie trailers. Other than the occasional advert that happens to cross my path on television while I’m lounging on a recliner, I have total a disinterest in them. But, “Oh!
Every week Film Inquiry publishes the movies that are opening in cinemas! This week: Mission:
Oh look, another Will Ferrell comedy! This time around he is playing a step dad trying to win the affections of his step kids. His competition is the biological father played by Mark Walhberg.
Under the last government, the UK film council (which supported the funding, production and distribution of British films) was scrapped, as prime minister David Cameron cited that the initiative “wasn’t supporting films people British people want to see, like Harry Potter”. Subsequently, we have been told this has made it far harder for British filmmakers to get their movies made. As David Cameron’s Conservative government have recently been re-elected into parliament (this time as the sole governing party; last time they were part of a coalition), it is time to examine what effect this will have on British filmmakers, both in terms of how they will be able to get their films made now there is a tighter grip on funding, as well as how it will effect the kinds of films they make.
Asif Kapadia isn’t the documentary filmmaker of our times, but he is one of the most timely. In the digital age where all information is online, he manages to make movies comprised almost entirely of footage that can be found on YouTube and somehow turn them into major events in documentary cinema. Since his (ever so slightly overrated) 2011 effort Senna, his style as a documentarian has stubbornly refused to change, yet the way he manipulates archive footage to create something new and horrifying is unparalleled, even if it frequently favours emotional manipulation over creating a deeper look at the self-destructive life of subject Amy Winehouse.
We have come far since the time of the original Peanuts comic strips. It originates in a time when popular culture wasn’t so obvious with the allusions to sex or violence. It actually drew reference to how a child might interpret the adult world.
Japanese cinema has a distinctive style that has been consistent since the days of silent film, when directors where drawing from classic kabuki theater to inform their burgeoning filming style. That is not to say that there’s anything limiting about a cultural pattern in Japanese cinema, seeing as they have given the film world anime, jidaigeki, yakuza, cyberpunk and multiple other notable sub-genres. One recognizable aspect of Japanese cinema is the use of seasons in certain films: