
Initially, it seems that I Am Evel Knievel competently weaves archival footage with a range of talking heads. However, the documentary goes to great lengths to embellish a very unlikeable man and omits some of his life’s failings, making it an inferior production to the BBC’s Richard Hammond Meets Evel Knievel, which also has the advantage of featuring the man himself shortly before he died on November 30th 2007. During the 1970s, Evel Knievel was one of the most famous names in America and the world.

Saying you like Ingmar Bergman is like saying you like cinema. His influence and style have become more than an influence, a defining layer in the foundation of cinema. With some directors you can recall a few classic movies, but with filmmakers like Bergman, who has so many definitive credits as a director, his filmography can almost seem too daunting to follow.

There is something so endlessly fascinating about the character of Sherlock Holmes that prevents him from ever becoming boring to audiences, no matter how different Arthur Conan Doyle’s detective creation is to the pop-culture tastes of the time. The source material is so undeniably entertaining that even if it gets revised as an action blockbuster, as seen in Guy Ritchie’s two recent movies, or transplanted into the modern day, on Steven Moffat’s BBC series, it never loses any of its original charm. No matter how unique a new adaptation of the stories may be, Doyle’s stories are so widely revered that nearly every adaptation of them remains faithful to the essence of the characters, even if they may take a few liberties.

Inside Out is the latest in a long line of Pixar films that deal with the personification of something that you may have thought to be emotionless. Rather than bugs, toys, or fish this time, though, it is dealing directly with emotions themselves. What if the inner workings of our head were similar to an operational business, where our emotions literally guide and influence the actions in our daily life?