David is a film aficionado from Colchester, Connecticut. He enjoys writing, reading, analyzing, and of course, watching movies. His favorite genres are westerns, crime dramas, horror, and sci-fis. He also enjoys binge-watching TV shows on Netflix.
Spider-Man: Homecoming is a refreshingly comedic and lighthearted superhero film, but it doesn't quite work as part of a larger universe.
The Book of Henry is strange from its outset, and its lack of redeeming characters or strong emotional moments doesn't much help matters.
It Comes at Night is a disturbingly effective horror film, delving into themes of paranoia, fear, and distrust in an eerily relevant way.
Guardians of the Galaxy Vol. 2 pales, in some ways, to its predecessor, yet it has just enough charm and heart to make up
Colossal is a fantasy-oriented film about a kaiju monster that somehow manages to be both emotionally effective and profound.
Ghost in the Shell is full of visual splendor, yet ultimately lacks the originality or prowess of the original Japanese anime film.
There's no living with, with a killing. There's no going back from it. Right or wrong, it's a brand, a brand that sticks.
I first discovered Jeff Nichols back in 2013, when I happened to catch Mud in theaters. Not knowing what to expect, I still remember
High Noon, though premiering in 1952, is a film that has great significance today, expressing the strength and power of individual will.