Hazem Fahmy is a poet and critic from Cairo. He is an Honors graduate of Wesleyan University’s College of Letters where he studied literature, philosophy, history and film. His work has appeared, or is forthcoming in Apogee, HEArt, Mizna, and The Offing. In his spare time, Hazem writes about the Middle East and tries to come up with creative ways to mock Classicism. He makes videos occasionally.
Tao Raspuli's Monogamish asks the viewer to challenge their own pre-conceptions on relationships, with an effective, non-judgemental eye.
The most absurd assumption about saying films "transcend genre" is that works of genre are somehow so trivial that they are apolitical.
If we can accept aesthetic subversion as a form of commentary or aesthetic, why do we still consider trash films as some sort of
Franchise filmmaking is, in contrast to what journalists have been saying, far from a destroyer of movies as we know it: here's why.