Features
With data driving every marketing decision, you would have to assume the five second tease is driving views. Does that mean it’s driving people to the box office? It’s hard to say.
In the battle between Spielberg and Netflix, it is not about the cinematic experience, rather than profitable business plan.
Eating disorders have long been a controversial topic when it comes to being portrayed on film; here’s a brief outline on how it has become problematic.
While, Lincoln does shatter the stereotypical image we have of President Lincoln, it also adopts a worshipful attitude that undercuts its attempts to make him look like a human being.
Evoking Candyman in this season, American Horror Story dredges up misplaced allyship and the appropriation of another’s culture and story.
All art inspires other art. By telling stories, filmmakers impact people all across the world,…
Ladies and gentlemen, welcome to the inaugural 2019 Awards Season Awards where we recap the highs and lows of the year.
Between last year’s successful Bohemian Rhapsody and the upcoming Rocketman, music biopics seem to be all the current rage in Hollywood.
In Avatar, a quadriplegic regains his motor skills by connecting to an alien body. In real life, we’re looking at exosuits and bioelectric medicine. Welcome to the future.
Bradley Cooper’s take on A Star is Born is more than a tragic love story: it’s a powerful depiction of being the person next to an addict.
In this latest recap, Alex Arabian looks back on episodes 10-15 of The CW’s The Flash.
We highlight the 2019 Human Rights Watch Film Festival international line-up of films promising to offer critical insight into local and global human rights concerns.
The cinematic depictions of Ancient Greek tales can often get lost in translation through the generations – here’s our handy guide to the best and worst.
These two award winning films illustrate how cinema can either reinforce or dismantle traditional understandings of colonialism and the Age of Exploration.
Following Spielberg’s Netflix comments and more people saying they’d prefer to see movies at home, Alexia Amoriello defends the theatrical experience.