Features
Ladies and gentlemen, welcome to the inaugural 2019 Awards Season Awards where we recap the highs and lows of the year.
Between last year’s successful Bohemian Rhapsody and the upcoming Rocketman, music biopics seem to be all the current rage in Hollywood.
In Avatar, a quadriplegic regains his motor skills by connecting to an alien body. In real life, we’re looking at exosuits and bioelectric medicine. Welcome to the future.
Bradley Cooper’s take on A Star is Born is more than a tragic love story: it’s a powerful depiction of being the person next to an addict.
In this latest recap, Alex Arabian looks back on episodes 10-15 of The CW’s The Flash.
We highlight the 2019 Human Rights Watch Film Festival international line-up of films promising to offer critical insight into local and global human rights concerns.
The cinematic depictions of Ancient Greek tales can often get lost in translation through the generations – here’s our handy guide to the best and worst.
These two award winning films illustrate how cinema can either reinforce or dismantle traditional understandings of colonialism and the Age of Exploration.
Following Spielberg’s Netflix comments and more people saying they’d prefer to see movies at home, Alexia Amoriello defends the theatrical experience.
Contrary to popular belief, getting the Boston accent right is not just about dropping an “r” where you’re not supposed to or adding one to a word when it isn’t necessary.
Reklist is a centralized place to send and receive entertainment recommendations, keep track of what you have read & watched, and discover new titles.
We recap episodes 10 to 13 in the fourth season of The CW’s Supergirl, leading to the introduction of Lex Luthor.
In the annals of cinema history, there have been few filmmakers that were talented, and…
In the second of this series breaking down the best Simpsons episodes, Sean Fallon takes a look at season 4’s “Homer the Heretic”.
In the first part of Trash Caviar in which Julian Rosenthal inspects the finest of trash, he recalls Nicolas Cage’s off-the-wall character in Bad Lieutenant: Port of Call New Orleans.