Features
Independent filmmakers spend a lot of time and money applying to film festivals. With each passing year, the number of competitive film festivals seems to grow almost exponentially. And with submission platforms like Withoutabox.
In cinema, age-gap relationships have been forever on display, from Humphrey Bogart and Lauren Bacall to those seen throughout Woody Allen’s cinematic adventures (including his most recent Magic in the Moonlight). The age-gap relationship often takes the form of an older man and a younger girl, though there are the exceptions (take a look at The Graduate). Aside from the problematic conventions of the leading men ageing and the women remaining youthful in looks and spirit, the age-gap film poses questions about sexuality that mainstream Hollywood often shies away from.
First, there was Batman. Then, there was Birdman. One caused the demand for gritty comic-book movies to skyrocket.
The New York Film Academy have kindly asked for Film Inquiry to discuss and respond to their new infographics. With one of their topics being on gender inequality in cinema (seen below and also found here), I was instantly drawn to writing this article because the issue is very close to my heart, alongside the fact that I would like to go into the cinematic industry when I am older. Will my gender affect my chances of having a job in this male-dominated industry?
Birdman was the big winner at the 87th Academy Awards, tying for most awards won and also taking home two of the biggest awards: Best Picture and Best Director. That it won Best Picture shouldn’t have been a surprise, especially given the Academy’s recent track record.
From ideation to financing, distribution to production, the movie industry is just that, an industry. Let’s take a peek behind the projectors and movie screens at all facets of the films, and the people behind them, that we love. Let’s take another look at some of our favorite movies.
Australia’s film industry has always been a little unstable. From the decline of Australian-made films in the inter-war period to the increased arts funding by the liberal government of John Gorton, the industry seems to travel in peaks and troughs much more than the American industry. Indeed, the fierce competition from American-made movies no doubt contributes to the infrequency of big-selling Aussie flicks.
“Excuse me,” I hear you say, “I know exactly which films I need to see in 2015.” You’ve no doubt been bombarded with teasers and trailers by now, and you wait with baited breath for… which franchise is it?
From ideation to financing, distribution to production, the movie industry is just that, an industry. Let’s take a peek behind the projectors and movie screens at all facets of the films, and the people behind them, that we love. Let me direct your attention to these wonderful shorts.
The passing of a film icon always hits me hard. Mostly because of the realization that actors are as human as the rest of us; knowing that I’ll never have the chance to meet him in person or see him in another movie. Leonard Nimoy started his performance career at the age of 20, but did not become truly recognizable until 1966, when his portrayal of the half-human, half-Vulcan science officer on Star Trek put him on the map.
From the tiniest blog to the inked pages of Empire magazine, society’s devotion to film coverage highlights just how deeply moving pictures resonate in modern culture. It’s why you’re here reading this very article right now. The finances back it up too.
This is a continuation of “Beyond Hollywood’s Mafia” with more great gangster films from around the world. There’s a rich tapestry in this field to draw from, as films influence filmmakers, writers and directors making more and more fascinating movies about crime. Some directors may have already appeared in the first list, but all these titles are new and differ, one way or another from the first installment, enjoy!
Did you ever think about your favorite film couple? We sure did. This month, the Film Inquiry team was asked which is their favorite couple in film.
Back in January Neill Blomkamp, the director of District 9, Elysium and the forthcoming Chappie posted online some intriguing fan/concept art for an as-yet-announced project related to the now floundering Alien franchise. The art featured some very intriguing illustrations of not only Sigourney Weaver as an almost fully evolved Ripley/xenomorph hybrid but also Michael Biehn as a battle scarred Corporal Hicks. At the time nobody knew what they were for:
Cult films are difficult to define, as they vary in scope, themes, genre and in just about every other way. Despite these ambiguities, it is demonstrable that the revered Roger Ebert once got the definition entirely wrong. Avatar just isn’t cool enough In his review of Avatar, Ebert described the film as an “event” that was “predestined to launch a cult.