THE LODGE: A Fun, Subversive Horror Hit
THE LODGE: A Fun, Subversive Horror Hit

The Lodge is inventive, it’s clever and it’s pretty damn spooky. If you’re a horror fan, don’t let this one slip under the radar.

THE INVISIBLE MAN: An Effective Modernization Of The Classic Monster
THE INVISIBLE MAN: An Effective Modernization Of The Classic Monster

From its opening scene of a mansion overlooking the ocean to its anxiety-inducing conclusion, The Invisible Man brings Universal Monsters to a whole new level.

Berlinale 2020: RIZI (DAYS)
Berlinale 2020: RIZI (DAYS)

To say that Tsai Ming-Liang’s Rizi is a challenging film would be understating the staggering experience of actually watching the film.

BRAHMS: THE BOY II: One Boy Is Enough
BRAHMS: THE BOY II: One Boy Is Enough

Brahms returns in this pointless sequel to The Boy, which starts out with some promise but loses its plot halfway through.

Human Rights Watch Film Festival London 2020: COLLECTIVE, LOVE CHILD & More
Human Rights Watch Film Festival London 2020: COLLECTIVE, LOVE CHILD & More

The London Human Rights Watch Film Festival will be presented from 12 to 20 March 2020, featuring empowering documentaries and dramas celebrating courageous people.

THE WILD GOOSE LAKE: Bleak, Restrained & Sensuous Film Noir
THE WILD GOOSE LAKE: Bleak, Restrained & Sensuous Film Noir

The Wild Goose Lake’s glaring missteps aren’t enough to sink the film and its overall affect, which remains consistent and engaging throughout.

Sundance 2020: MINARI
Sundance 2020: MINARI

In our final review from Sundance 2020, Janet Lee reviews MinarI, a film that brings an honest story of family, love, selfishness, and humility.

FANTASY ISLAND: A Holiday from Hell
FANTASY ISLAND: A Holiday From Hell

What should have been a sun-soaked blockbuster, Fantasy Island leaves us feeling shamelessly entertained and frustratingly ripped-off.

Berlinale 2020: YALDA, A NIGHT FOR FORGIVENESS
Berlinale 2020: YALDA, A NIGHT FOR FORGIVENESS

Yalda, A Night For Forgivness is a solidly crafted a socially conscious film while making some truly bold cinematic choices.

Fantastic Film Festival Australia Report 1: Two British Genre Filmmakers Make Their Debut
Fantastic Film Festival Australia Report 1: Two British Genre Filmmakers Make Their Debut

In his first report from Fantastic Film Festival Australia 2020, Matthew Singleton reviews Saint Maud and A Serial Killer’s Guide to Life!

AFTER MIDNIGHT: A Lovesick, Country-Fried Creature Feature
AFTER MIDNIGHT: A Lovesick, Country-Fried Creature Feature

After Midnight shows much potential in its early-goings, which makes the lack of a satisfying follow-through all the more disappointing.

THE TIMES OF BILL CUNNINGHAM: Not Much To Add
THE TIMES OF BILL CUNNINGHAM: Not Much To Add

The Times of Bill Cunningham would serve better as an extras-feature on a Blu-Ray than as the stand-alone documentary it is.

I AM FEAR: A Horror That Asks, "Who Is The Real Monster?"
I AM FEAR: A Horror That Asks, “Who Is The Real Monster?”

Even with the brilliance of Faran Tahir’s believable portrayal of a broken villain, I Am Fear flaws weigh heavy, even in the final moments.

ONWARD: The Pixar Formula Loses a Little Magic
ONWARD: The Pixar Formula Loses A Little Magic

It’s Onward and downwards for Pixar, as their Dungeons and Dragons inspired latest is one of their most disposable efforts to date.

Glasgow Film Festival 2020: PROXIMA: A Moving Portrait Of Motherhood
Glasgow Film Festival 2020: PROXIMA: A Moving Portrait Of Motherhood

With beautiful direction and cinematography, a haunting score, and excellent acting by Eva Green in particular, Proxima is a solemn, slow meditation on motherhood.