Film Reviews
One of the more poetic documentaries, I Wish I Knew is an ode to the impact one city has had, across so many decades, on so many lives.
The last few years have come with a slew of fantastic horror films, and unfortunately The Turning does not fall into that category.
Nine Days is Brazilian director Edson Oda’s feature debut, and he is off to an amazing start with this beautiful, meditative film.
Invisible Life is an enchanting experience, one that emphasizes the power of hope in times of helplessness and the importance of love above all else.
As aloof and occasionally frustrating as the film may appear to be, Zombi Child is an eerie yet beautiful tale of coming-of-age and vodou.
Beyond its clear feats for being a feature debut, Les Misérables is an urgent urban masterpiece.
Now on home video, Jacques Rivette’s six-hour epic details Joan of Arc’s achievements on the battlefield that led to her burning at the stake.
Miss Americana is socially responsible filmmaking at its finest, which is certainly a pleasant surprise.
Opening her introductory remarks for Zola, director Janicza Bravo recounted how she attended Sundance Film Festival…
La Bamba is a well-versed depiction of Ritchie Valens’ life and it is evident a tremendous amount of care was put into the production of this film.
Minhal Baig marries an American indie aesthetic with a uniquely immigrant narrative for something fresh, vital and worthwhile.
Dolittle is what happens when you take a story with potential but fail to make it interesting or entertaining.
A Fall From Grace, a 2-hour phoned-in schlock, proves that when Perry mentions his film wrapped in less than a week, he is not exaggerating.
Bad Boys for Life’s plot is straightforward, the action doesn’t push any boundaries, and yet you still leave having had a pretty good time.
Like A Boss may not be the best comedy of the new decade, but it is unquestionably an entertaining film that is worth the watch.