Film Reviews
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
Random Acts of Violence forces the audience to confront their own enjoyment at watching others’ pain
Prolific British writer-director William Nicholson’s Hope Gap is a charming, yet altogether bleak portrayal of a…
Three films. Three different languages. From NYFF, Kevin Lee reviews Sybil, Beanpole and Saturday Fiction.
In David Fontana’s final report from TIFF 2019, he covers Judy, The Personal History of David Copperfield and Sound of Metal.
In this New York Film Festival report, Kevin Lee reviews I Was At Home, But, The Whistlers and To The Ends of the Earth.
Overall, Downton Abbey’s worth as a film depends on your feelings towards the original show.
Sonatine, Takeshi Kitano’s riff off the Yakuza genre, helped him gain an audience outside of his native Japan. Read our review to learn more.
Ága shows how native practices of conservation, sustainable living, and a deep and respectful connection to the land is all but withering away in the face of our technological acceleration.
Groupers isn’t perfect, and it certainly isn’t a mainstream product for the masses, but it has its merits.
The Last Tree isn’t perfect, but it’s an honest and insightful coming of age story that deserves to find an audience.
Potrait of a Lady on Fire builds to an awe-inspiring, pulsating crescendo that leaves the audience’s collective heart thudding.
A conspicuously suspense-free story, Haunt feels like a missed opportunity by refusing to take its own ideas to the extreme.
Kevin Lee reviews the first three films he saw at New York Film Festival, Navad Lapid’s Synonyms, the Dardenne Brothers’ Young Ahmed, and documentary Cunningham.
Eddie Murphy is at his absolute best in Dolemite Is My Name. The humor and chops for drama that he brings to the role are a perfect c*cktail that you just can’t help but drink up.