Why PASSENGERS Is Not The Misogynistic Fantasy It Is Accused Of Being

Passengers (2016) - source: Sony Pictures

Last year, I went and saw the 2016 sci-fi romance Passengers (our original review), starring Jennifer Lawrence and Chris Pratt. As soon as the movie was over, I found myself hating it due to moral issues with the film’s plotline, and I found it to be a creepy misogynistic fantasy. But after thinking about it for months since I saw it, I might’ve come to the realization that it isn’t as much of a misogynistic fantasy as I thought it was.

The Morally Complicated Plot

Passengers deals with a spaceship carrying about 5,000 passengers on a 120 year journey to a distant planet. But two of them, Jim Preston (Pratt) and Aurora Lane (Lawrence), wake up 90 years too soon from their sleep chambers and are left stranded on the ship. Now, the trailers made it seem like both woke up accidentally but what they hid is that it is Jim who woke up by accident and is stranded on the ship by himself before he wakes up Aurora, dooming her to die with him. Leading up until the moment where he makes the decision to wake her up, he is conflicted over whether or not to go through with it.

Why Passengers Is Not The Misogynistic Fantasy It Is Claimed To Be
Passengers (2016) – source: Sony Pictures

Not only that, but when Aurora does eventually realize the truth, she reacts angrily. She distances herself from him, and at one point she even tries to kill him in his sleep. If Passengers really was misogynistic, then it would have had Aurora be forgiving once she realizes the truth and accept her doomed fate. If that had been the case, then it would’ve prevented the moral ambiguity of the story from taking place. As flawed as Passengers may be, it might still inspire people to have a conversation about it, asking each other what they’d do if they were in Jim’s situation.

A Real Misogynistic Fantasy

Just for comparison, Quentin Tarantino’s 2015 film The Hateful Eight is much more of a misogynistic fantasy than Passengers is. The sole main female character of the film, Daisy Domergue (Jennifer Jason Leigh), spends most of the film in the background. But whenever she is taken out of the background, she is brought out only to get beaten up, have blood or soup splattered over her, get called a bitch, and at the very end gets hanged. Not only that but the men that abuse her get an enjoyment out of it.

Why Passengers Is Not The Misogynistic Fantasy It Is Claimed To Be
The Hateful Eight (2015) – source: The Weinstein Company

Even if the character of Aurora Lane wasn’t the most well-realized character, at least she was written with a bit more dignity, and was a character elevated by Jennifer Lawrence’s fine acting. She doesn’t have much agency but she still isn’t relegated to the background most of the time that she’s on screen. Also, when Aurora realizes Jim woke her up, he feels remorse over it and tells her how he tried not to do it. If Jim didn’t feel any remorse and/or Aurora was ultimately forgiving of him, then Passengers would’ve been as hateful as The Hateful Eight. 

How It Could Get Better

Aside from the controversial storyline, another big flaw with Passengers is that during the third act, it becomes an out of left field actioner which didn’t work compared to the character study that the film’s first two-thirds were. I think if the entire film was a character study and was done on a much smaller scale, it could’ve been more consistent and there would’ve been more focus on substance rather than spectacle, which is something this film really didn’t need.

Why Passengers Is Not The Misogynistic Fantasy It Is Claimed To Be
Passengers (2016) – source: Sony Pictures

They didn’t necessarily need to change the storyline of Jim waking up Aurora. They just needed to delve into the ramifications of Jim’s decision more. One way in which they could’ve done that is if they made the three acts into three different movies: The first act is Jim being woken up before he eventually wakes Aurora, the second act is the two of them living together before Aurora figures out the truth and then kills Jim, and the third act is Aurora living on her own the way Jim did before she wakes another person up, setting off a possible chain reaction.


So in spite of its controversial storyline, Passengers still isn’t as misogynistic as it was said to be upon release. It is flawed and its sole female character is poorly written. But the film isn’t necessarily as hateful towards her as other films are towards theirs. Also, it might still have viewers engaging in a conversation about Jim’s decision, asking each other questions like “What would happen if that were you?” or “What would I do?”

How do you feel about Passengers? Do you agree or disagree with the claims that it is misogynistic? 

Passengers is currently available on DVD and streaming.

Opinions expressed in our articles are those of the authors and not of the Film Inquiry magazine.
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I can quote Parks and Recreation endlessly, I love decaf coffee, and in spite of me having two college degrees, I'm still trying to figure out what to do with my life.
  • surge79uwf

    Came late to the Passengers bandwagon, late May to be specific. Wife and I watched Guardians of the Galaxy 1, but were debating to watch the second one and Passengers came to my mind.

    Basically Passengers, IMO, made three crucial mistakes:

    1. Competing with Rogue One and Arrival.
    2. Using a story that while may have not been questionable years ago is questionable now. We already have enough Donald Trumps, Brock Turners and Kim Jong Un agents in real life. (Sony also released The Interview, and kidnapping of Japanese civilians by North Korean agents was a real problem. Replace the Avalon with a building in Pyongyang and swap Pratt for Daniel Kim or Rick Yune and Lawrence for Rinko Kikuchi or Riyo Mori. It would mean the same thing because the Japanese woman can’t escape North Korea easily.)
    We don’t need this in movies. Had Passengers been released in 1986 or 1996, or if it were a remake of a European or East Asian film, it would be excusable. As it is it’s a movie that makes you think, but these days apparently people don’t want to think.
    3. The hype machine that was built around the film, Lawrence and Pratt by having them tour the U.S. and the world to promote. Vanilla Ice did a world tour in 1990-91 and where is he now? (Additionally, China’s Wan-Da is one of the producing houses. This is why Passengers actually outdrew Rogue One in the mainland.)

    Nonetheless, bits and pieces of the movie can be found online and it’s become a guilty pleasure for me to watch alone (wouldn’t bother wife with it). Will have to wait until it hits TNT or Telemundo for an uninterrupted view.