2000s
In 2003, Taiwanese auteur Tsai Ming-liang released his masterful ode to the magic of movie theaters, Goodbye, Dragon Inn.
In the latest Queerly Ever After, Amanda Jane Stern looks at the lack of driving plot in From Beginning to End and the story that could have been.
That’s one of the great joys of Memories of Murder. From purely a storytelling perspective, it synthesizes together something totally compelling.
In his first report from the 2020 San Diego Asian Film Festival, Soham Gadre reports on the films he had the chance to see!
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
Dancer in the Dark holds a mirror up to the world with such clarity that its impossible not to catch a glimpse of ourselves in the reflection.
Mambo Italiano is a comedy so broad and uncommitted it doesn’t know what to do with itself, leaving much to be desired.
While there are dozens of memorable moments, the way the film makes Batman a genuinely interesting and complex character remains its lasting legacy.
At the end of the day, Plan B is a sweet little story that turns a familiar plot on its head in a positive way.
For this month’s Staff Inquiry, the team takes a load off to kick back and talk about their favorite hangout movies.
From Jeff London comes Arizona Sky, which feels like it would be a perfect entry for Mystery Science Theater: Gay Edition.
Beetle Queen Conquers Tokyo is comforting, emotive, overwhelming at times, and always worth the time spent giving it your full attention.
We take a look at three of South Korean filmmaker Hong Sang-soo’s films: Woman on the Beach, Hill of Freedom and Yourself and Yours.
Though initially marketed to a younger audience, Avatar: The Last Airbender offered important and incisive messages to all of its viewers.
Kontroll may be subterranea, but it should remind us to keep close watch over the politics of our own transition now.