2000s
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
Dancer in the Dark holds a mirror up to the world with such clarity that its impossible not to catch a glimpse of ourselves in the reflection.
Mambo Italiano is a comedy so broad and uncommitted it doesn’t know what to do with itself, leaving much to be desired.
While there are dozens of memorable moments, the way the film makes Batman a genuinely interesting and complex character remains its lasting legacy.
At the end of the day, Plan B is a sweet little story that turns a familiar plot on its head in a positive way.
For this month’s Staff Inquiry, the team takes a load off to kick back and talk about their favorite hangout movies.
From Jeff London comes Arizona Sky, which feels like it would be a perfect entry for Mystery Science Theater: Gay Edition.
Beetle Queen Conquers Tokyo is comforting, emotive, overwhelming at times, and always worth the time spent giving it your full attention.
We take a look at three of South Korean filmmaker Hong Sang-soo’s films: Woman on the Beach, Hill of Freedom and Yourself and Yours.
Though initially marketed to a younger audience, Avatar: The Last Airbender offered important and incisive messages to all of its viewers.
Kontroll may be subterranea, but it should remind us to keep close watch over the politics of our own transition now.
Patrick Bateman represents the horrors of addiction, hedonism, narcissism and greed – and with a dose of humour, he’s a character that remains ingrained in our pop culture landscape.
We revisit the film Max, a controversial WWII film from 2002 starring John Cusack.
This month for our Staff Inquiry, we’re highlighting some of the TV series that left us feeling just right.
Despite Oy Vey! My Son Is Gay!! having a happy ending, it still serves up highly offensive and harmful gay stereotypes.