2020s
Jenny Pen is a cold-eyed excavation of one of the basest fears humanity possesses: That life, in all its triumphs, is a meaningless house of cards.
The direction, the cinematography, the lighting, all of it mesh together to highlight the wild and always forward story that is Greedy People.
Like any good exploitation movie Exorcismo feels like a pleasant discovery for a genre buff, a treat from the back of the video store.
Generation Terror proves a refreshing revitalization of the nuances under all the blood and guts, as well as the guts themselves.
Witches starts off like a video essay. Writer, director, editor (and “star”) Elizabeth Sankey talks…
I’d like to begin this review by stating that, for the record, I am anti-puppet.…
Certain filmmakers are such mainstays of the New York Film Festival that you can pretty…
MadS playful spirit elevates it from film school exercise to wild romp. Fans of Y2K-era zombie movies like Rec or indie bad trips like Bliss are in for a treat.
Smile 2 may occasionally overdo it with its over-the-top approach, and it contains a scattershot plot, but its strength lies in its presentation.
Co-written by comics creator Mike Mignola, Brian Taylor’s low-budget “Hellboy: The Crooked Man” casts Jack Kesy in the title role.
As in all his work, McQueen coaxes strong performances, with particular props to first-timers (at very different ages) Heffernan and Weller.
King’s books are often made into films,and they can be hit or miss depending on who made them. The new Salem’s Lot is the latter.
We spoke with Johnny Ma whose film The Mother and the Bear is a vibrant and unique film that points toward the evolving versatility of Canadian filmmakers.
Despite its inconsistent storytelling and wooden performances, Night of the Harvest offers a certain charm that inspires appreciation for filmmaking.
Through its rich mix of dark comedic elements and deeper psychological questioning, something fascinating is evoked in A Different Man.