2025
Last Breath is a movie that strips away all the Hollywood fluff, but turns in a delightfully-tense docudrama-thriller.
The mission of Avondale film festival is to provide a platform for filmmakers to express visual stories that reflects their perspective on the world.
For our final installment of Slamdance, we’re covering a fictional drama about the struggles of Alzheimer’s and a documentary about a New York LGBTQI icon.
Today, we’re looking at two shorts: One about a filmmaker preparing for the progression of his diagnosis, the other about a drummer struggling creatively.
Like a Saturday Morning cartoon drenched in blood, The Monkey throws everything it can at its audiences.
For this installment of Slamdance coverage, we’re looking at an inspiring documentary and a gripping fictional drama based on a true story.
Today, we’re looking at two documentaries: One focusing on social justice in Omaha, and another exploring a mysterious hole in northern California.
It’s 97 minutes of pure bonkers cinema and it deserves to be watched by as many people as possible.
Racewalkers reminds us of the beauty in embracing the quirky, the unconventional, and the unexpected.
Heart Eyes is an ode to holiday horror-slasher films of the past, coming into a space that has been left vacant for a while and solidly planting their flag.
We’re taking a look at a documentary following a conservative musical theater production and an ensemble dark comedy about people acting out in suburbia.
Captain America: Brave New World is not the movie that will bring Marvel skeptics back to the franchise. Underneath, it’s still the same formula.
Here’s an ice-cold take: movies nowadays are too damn long. Obviously, this is all relative;…
Sundance this year has Twinless, an audacious exercise in storytelling, and Train Dreams that is equally as compelling.
Love Hurts is still worth a watch, if only for Quan’s tour-de-force performance.