A24
Past Lives is the epitome of contemplative, meditative cinema. It’s perplexing, but in the way I like my movies to be.
With The Humans, director Stephen Karam uses cinematic space and language to transform his play into one remarkable film.
The Green Knight is an immersive, beautifully photographed if sometimes frustratingly structured fantasy adaptation.
It’s far from perfect but Zola delivers strong performances, visual language and sound design to make something unique and alluring.
Reichardt once again displays her generous understanding of life on the margins, and the implicit need to create relationships in harsh lands.
While Reichardt seems to be well intentioned here, First Cow falters by being frustratingly empty in both its delivery and narrative focus.
Opening her introductory remarks for Zola, director Janicza Bravo recounted how she attended Sundance Film Festival…
Like the pulse of life, in Waves, there are times to laugh, to cry, to mourn, to smile and to hope. And the biggest weapon we wield is the capacity to forgive and persevere.
Anyone disappointed in what the remake of Suspiria came out to be would be remiss to pass up In Fabric.
If you’re willing to take a chance and join Eggers, Pattinson, and Dafoe on their very weird journey, you’ll find it’s worth the trip.
We spoke with director Kevin McMullin, whose film Low Tide hit theaters last Friday to inject the fall frenzy with a reminder of summers by the beach.
Waves is an exquisitely crafted piece of art that solidifies Shults as a force to be reckoned with.
The Death of Dick Long might easily be the most bizarre film of the year, but it’s also one of the funniest.
A film that is not enjoyed so much as processed, Midsommar is a rare experience that is not to be missed. That being said, you absolutely cannot skip it.
The Souvenir is a refreshingly honest look at first love, class and privilege and includes a great performance by Honor Swinton Byrne. Janet Lee reviews.
