biography
Mr. Jones is a harsh, masterful film about being wary of the lies being fed to you by your media and your government.
Certainly an ode to Jay Maisel’s life and career, Jay Myself is a celebration, remembering the life and work he created in The Bank.
The Current War admirably attempts to be something bigger than it ultimately is, with its A-list cast and interesting-but-misfiring style.
Skin manages a few gripping moments thanks to its cast but can’t string them together into something meaningful.
Pavarotti is at times hard to watch, but ever so entertaining and explosive exploring one of the most captivating and astonishing artists of the 20th century.
A baseball film almost without baseball, Moneyball is a revolutionary sports film. Lewis Punton takes a closer look at the conversations that fuel the plot.
Rather than looking skyward, Armstrong awkwardly looks at its feet, the film eclipsed by other efforts both fictional and factual.
Varda by Agnes is a disappointing finale to a remarkable career, a feature length beginner’s guide to her back catalogue for new fans only.
Leto finds a balance between the reality of early rock under a communist regime and the fantasy rockers imagined.
Fuck You All: The Uwe Boll Story is a film that is as direct as its title, and is an interesting insight into what makes a man like Uwe Bill tick.
When They See Us may be Ava DuVernay’s finest work, telling a deeply human story about the way people of color have been and continue to be seen.
Diego Maradona is another triumph for Asif Kapadia, offering something richer than the standard sports documentary.
We delve into biopics, specifically how the mundaneness of the stories of these real people actually do them a disservice.
The Colour of Pomegranates is not only a window into the age of silent cinema, transplanted to 1969 but a window into a new way of thinking.