Disney
Lightyear may not offer the same emotional depth or richness as other Pixar titles, but it knows it never needed to be that.
Combined with Vaughn’s ability, there’s a genuine surprise to this entry that may make this the best of the series.
Thus far, Marvel and Disney’s Hawkeye is proving to be an entertaining romp that doesn’t feel as bound by the MCU timeline.
While the purpose of What If? may be to prime the fanbase for multiverse madness, its secondary function is one of image and branding.
Jungle Cruise is far from cringe or embarrassment, and sure, it’s never actively terrible. But the bar shouldn’t be set this low.
Cruella is a welcome return to the good, dark, bold filmmaking that we haven’t seen in a long time from Disney.
It might be conventional in its storytelling, but the stunning animation, lovely characters, beautiful music, and heartfelt messages won me over.
Penguins: Life on the Edge continues to be remarkable, capturing filmmakers risking life and limb to bring us footage of wonders yet unseen.
For a true story about changing the rules, Safety sticks strictly to the dusty sports drama playbook.
Ultimately it can’t sustain moments in the same way as the likes of Inside Out, but it’s certainly worth investing time into.
William Hopson create the perfect double feature with Hamilton and Amadeus through the shared focus of their antagonized protagonists.
It’s a loyal, brave, and true re-telling of a Chinese ballad that was once successfully Westernized.
The Mandalorian delivered audiences and filmmakers a visual effects breakthrough. And because of it, visual effects are likely changing forever.
Matteo Garrone’s latest fantasy Pinocchio offers a more realistic portrayal of the classic tale that still incorporates some escapist fantasy elements
While the premise feels like a joke, Dog with a Blog proves to be not just eminently watchable but also genuinely wholesome and entertaining.