drama
Watchmen has hit a little under the halfway point, the pins are being set up and knocked down at the bat of an eye, and it just keeps getting more and more clever every week.
Like the novel that came before it, Watchmen elaborates on its characters’ futures vs their pasts in ways only the author can imagine.
Unfortunately, our hero has fallen victim to the sophomore slump; Jack Ryan has made a lackluster return to our screens for season 2.
An unvarnished character study of an unexpected abuser and the havoc her actions cause, Queen of Hearts is one of the most emotionally draining films this year.
If the rest of the season of His Dark Materials is as good as its second episode, we’re in for a great season.
Mickey And The Bear probably doesn’t have the budget to campaign for the attention of “For Your Consideration” recipients but, with any luck, it will be recognised like Winter’s Bone before it.
Sorry We Missed You is not without faults, but it is a vital look at the hardships faced day in, day out by families all over the UK.
Ira Sachs’ Frankie has Isabelle Huppert in the titular role confronting her own mortality through a cancer diagnosis and on a ticking clock.
The Report is deserving of every ounce of praise it receives on its performances, accuracy, and commentary, but getting through the film is a bit of a slog.
Wounds is a work of unyielding dread – one of those misunderstood gems that comes along every so often, catching you off-guard with its skin-crawling concept and arcane atmosphere.
While it does contain so interesting moments to keep you attention, The King is not worthy starting in the first place.
Harriet is a formulaic biopic that doesn’t take any creatively clever leaps to ensure this biopic deserves to be associated with the historical significance of Harriet Tubman.
With so many great watches this year at Austin Film Festival 2019, Kristy Strouse is back with her second report.
Coverage of the 11th annual Milwaukee Film Fest opens with Aaron Schimberg’s Chained for Life…
Boys takes a well-worn story of self-acceptance and turns it into a beautiful piece of internal struggle.