film festival
Doublespeak may be a short film, but it joins other recent features and dives into how a system that is supposed to protect people can fail again and again.
Wilson Kwong spoke with director and writer Ninja Thyberg about her process as a director for her film Pleasure.
Pleasure is a film that can be difficult to watch, but is so mesmerizing that it can also be hard to look away.
Mass may not be an easy film to watch, but its emotional journey is both important and emotionally gratifying.
At this particular moment, In the Same Breath certainly feels like the COVID-19 documentary that the world needs to see.
Wilson Kwong spoke with director Maisie Crow about her documentary At the Ready premiering at the 2021 Sundance Film Festival.
Here there’s no such thing as taboo – and that, in the end, is the beauty of Jerrod Carmichael’s directorial debut On the Count of Three.
In his latest report from the 2021 Sundance Film Festival, Wilson Kwong reviews Marvelous and the Black Hole and Land!
While at the 2021 Sundance Film Festival, Wilson Kwong spoke with Marianne Rendón and Adam Brooks about their new film These Days.
In his first report from the 2021 Sundance Film Festival, Wilson Kwong reviews R#J and First Date from the festival’s NEXT program.
While the movie could’ve been a little deeper, Censor is nevertheless still a solid debut from Bailey-Bond.
One for the Road proves further that Baz Poonpiriya is one the most exciting Asian filmmakers working today.
Erin Vassilopoulos spoke with Film Inquiry about her film Superior during its premiere at Sundance Film Festival 2021.
Continuing our coverage of the 2020 International Documentary Film Festival of Amsterdam (IDFA), we reviewShe Had A Dream, Jacinta and more!
From IDFA Musanna Ahmed gives his first report, detailing thoughts on The Grocer’s Son…, White Noise, Silent Voice, and Bulletproof.