In his latest report from the 2021 Sundance Film Festival, Wilson Kwong reviews Marvelous and the Black Hole and Land!
While at the 2021 Sundance Film Festival, Wilson Kwong spoke with Marianne Rendón and Adam Brooks about their new film These Days.
In his first report from the 2021 Sundance Film Festival, Wilson Kwong reviews R#J and First Date from the festival’s NEXT program.
While the movie could’ve been a little deeper, Censor is nevertheless still a solid debut from Bailey-Bond.
One for the Road proves further that Baz Poonpiriya is one the most exciting Asian filmmakers working today.
Erin Vassilopoulos spoke with Film Inquiry about her film Superior during its premiere at Sundance Film Festival 2021.
Continuing our coverage of the 2020 International Documentary Film Festival of Amsterdam (IDFA), we reviewShe Had A Dream, Jacinta and more!
From IDFA Musanna Ahmed gives his first report, detailing thoughts on The Grocer’s Son…, White Noise, Silent Voice, and Bulletproof.
The Xrossing steadily forms into a heartbreaking variation on familiar story beats that blends regional melodrama with a hard-edged crime-thriller.
The recently concluded edition of the AFI Fest was one of the first to have…
The originality of I Blame Society is an exquisite example of how quickly the thin line between reality and art can blur.
The Paper Tigers is crafted with a sense of passion that can only come from a filmmaker who is eager to express their own intimate creativity.
French Exit is one of the most distinctive films of the year, delivering witty dialogue, nuanced performances and a resounding depiction of acceptance.
Director Matthew Heineman takes somewhat of a left turn to document the homecoming of Colombia’s biggest reggae superstar, J Balvín.
The beautiful boldness of The Human Voice makes it clear that Pedro Almodóvar and Tilda Swinton are a match made in film lover’s heaven.