history
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
Potrait of a Lady on Fire builds to an awe-inspiring, pulsating crescendo that leaves the audience’s collective heart thudding.
Céline Sciamma’s tender masterpiece paints a portrait of visual poetry, of what happens when art intersects with love for a fragment of time.
The King may not be Michôd’s best by any means, but with strong performances and cinematography, it’s a strong effort nonetheless.
One Child Nation is, without doubt, a criticism on blind acceptance of nationalism. In this way, it is an incredibly timely piece that absolutely must be seen.
Horrible Histories: The Movie – Rotten Romans delivers decent gags and a solid history wrapped up in a lightweight but semi-satisfying story.
The Current War admirably attempts to be something bigger than it ultimately is, with its A-list cast and interesting-but-misfiring style.
Ashley Joiner’s documentary Are You Proud is a gateway into the history of LGBTQ+ rights, rather than a comprehensive study, which is understandable due to the format.
Lacking of personality and originality, Robert the Bruce is an unwatchable kitchen-sink clutter of fantasy, reality and propaganda.
Told from a female perspective, and benefitting from a seminal performance by Daisy Ridley, Ophelia rewrites history in a more favorable light.
We have come to the end of the line for the first season of The…
Episode 7 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
Fuck You All: The Uwe Boll Story is a film that is as direct as its title, and is an interesting insight into what makes a man like Uwe Bill tick.
Episode 6 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
When They See Us may be Ava DuVernay’s finest work, telling a deeply human story about the way people of color have been and continue to be seen.