horror
The Curse of La Llorona is not original enough to stand on its own, relying too intently on jumpscares and with not enough focus on the characters around them.
The latest adaptation of Stephen King’s Pet Sematary has some interesting new ideas, but it never quite reaches liftoff.
Flay boasts an intriguing and unique horror concept, but is let down by a lack of depth to its characterisation.
While Peele’s The Twilight Zone is an improvement compared to the previous reboots, viewers are better off revisiting Serling’s original series.
Behind the grief, behind BOB, lies the simple reality that Twin Peaks pushes: that the dream of suburbia and happiness that America sells may be a lie.
Pet Sematary, in this critic’s opinion, is a constant battle between excessive production and exceptional performances.
The first episode of What We Do In The Shadows is a macabre romp that remarkably adds and expounds upon the comedic elements of its filmic progenitor.
We’re in a shift in the current age of horror, where films tend not to be outright scary, but instead delve more subtly into inborn fears.
While at times a frustrating watch, The Cannibal Club is an unusual treat for horror fans and a fascinating piece of filmmaking from Guto Parente.
Knife + Heart constantly walks the very fine line between a comedy and a true horror. It at times excels at both, but rarely infuses the two into a coherent film.
SXSW 2019 featured some excellent horror films, like Us and Little Monsters, but also lesser ones like Tales from the Lodge and Tone-Deaf.
Evoking Candyman in this season, American Horror Story dredges up misplaced allyship and the appropriation of another’s culture and story.
The Hole in the Ground is the rare film which would have benefited from being less subtlety and amping up the craziness to achieve the desired sense of unease.
Us embraces puzzling imagery and timing to evoke a sense of interpretative meaning, which leads to personal intimacy with the viewer.
This Australian horror has languished in obscurity for years, but a new restoration by Second Sight should make it the genre classic it deserves to be.