Jesse Eisenberg
2016 is already shaping up to become the year of reboots and sequels; whether or not they are deemed acceptable is a different matter. Now You See Me indeed worked as a solo endeavour back when the magic was introduced three years previous. The existence of the sequel may come as a surprise to some, due to the mixed responses circling the first instalment.
Is it possible for a contemporary America drama dealing with grief not be referred to using the “post-9/11” prefix? Louder Than Bombs charts the emotional complexities of a middle-class New York family as a retrospective article about their deceased war photographer mother/wife is published in the New York Times, resurfacing their most base fragilities. There is nothing in the film that remotely refers back to that harrowing event in American history, yet for many audiences it’s embedded in the subtext – New Yorkers who are confused how to react after this unexpected turbulent event in their lives.
American Ultra is one of those films that sounds really good on paper and even executes well at first, but quickly loses its luster after the quirkiness of its original premise wears off. In this case, its uniqueness comes from the idea of a stoner being a sleeper agent for the government. “Original” might be a little generous, as the film is adapted from the graphic novel of the same name; nevertheless it is something new to the screen, and it stays fun while it continues to feel that way.

