mystery
Agatha Christie’s The Pale Horse, though not quite a detective story, seems designed to test the genre’s rules, and also my patience.
“Designated Driver” was as compelling as any episode this season of Homeland, despite the flaws. But where do things go from here?
In its 5th episode, Westworld finally falls back into its old habit of overcomplicating its storyline, which would’ve worked better had it been told straightforwardly.
Finding Yingying isn’t an easy watch, but this documentary is powerful in how it captures a family in their most vulnerable moments.
When the show digs deep into its examination of masculinity and male emotions, The Sinner remains a standout like no other crime show on TV right now.
As we round the final base for the home stretch, these last three episodes promise to be as compelling and exciting as any Homeland has seen.
Because “The Mother of Exiles” moves straightforwardly, even when it reveals the biggest twist of the season so far, everything seems to be more exciting and thrilling.
Threnody(s) gave us a moment to breathe in what has so far been a fast-paced season. It also brought the deaths of two long-lasting characters.
By tackling an issue that the real world is facing right now, Westworld season three becomes even more exciting and relevant.
Episode 5 of Devs is a glimpse through time for our characters, utilizing impressive visual effects in the process.
Whatever cracks and uneven corners exist in Disappearance at Clifton Hill are easily glazed by a story that is good enough.
The Sonata attempts to be moody, brooding, and dark, only to come off as predictable, cliched, and silly.
Episode 2, “The Winter Line”, retains the energy the premiere of Westworld Season 3 established, giving us what we want: Maeve.
As Homeland’s “F**ker Shot Me” and the preceding episodes depict, the only thing “exceptional” about America is its hypocrisy.
Episode 4 of Devs is a season high so far, bringing forth major plot points and leaving many of our characters in uncertain positions.