Queerly Ever After
With a stellar cast and the beautiful cinematography, a benchmark of the Merchant Ivory productions, on full display, Maurice is well worth the watch.
From Jeff London comes Arizona Sky, which feels like it would be a perfect entry for Mystery Science Theater: Gay Edition.
The Way He Looks is a poignant coming-of-age movie with an incredibly sweet romance between Leo and Gabriel at its core.
From the premise, it seemed like it could be a sort of lascivious movie, but Going Down in La-La Land was a surprisingly entertaining film.
With its diverse cast, well fleshed-out characters, and stylistic choices, Go Fish is a must-watch.
There is so much going on in The Accompanist that none of the elements ever really come together to form a cohesive story.
Our latest in the Queerly After Series is about 2017’s God’s Own Country.
Kept Boy is neither so bad it’s good, nor is it endearing. It’s just a dull movie populated by unlikable characters.
Steam Room Stories: The Movie! is good, dumb, fun. Sometimes, that’s just what you need.
Esteros is a sweet, simple love story about two former lovers who reconnect as adults and discover that the feelings they had for each other never went away.
Despite Oy Vey! My Son Is Gay!! having a happy ending, it still serves up highly offensive and harmful gay stereotypes.
Romeos gets points for being one of the few films out there about a trans-man who gets a happy ending, but it is mired in unlikable characters who run the gamut of stereotypes.
Shelter is the kind of film you watch when you want something that is wholesome, but not chaste, that will end happy.
Amanda Jane Stern investigates whether there is actually truth behind the “based on a true story” gay spy film, Happy Endings Sleepover.
