science fiction
The Umbrella Academy is an exciting and free-spirited edition to Netflix’s catalog of binge-able TV series.
Second Sight’s revival of World on a Wire is vital for not only highlighting one of Fassbinder’s more underrated efforts, but for resurrecting one of the essential texts of science fiction.
Besides some noteworthy acton sequences, Alita: Battle Angel is otherwise a disappointing affair, even moreso given James Cameron’s involvement.
Before We Vanish is always working in two dimensions at the same time: it’s gross and funny, incisive as a work of modern commentary and blunt as a dozen hammers.
This year at Sundance there were six films from Australia, and we were able to catch three: I Am Mother, Top End Wedding and Little Monsters.
A forced romance, lackluster execution, and a tendency to pander to its audience makes IO come up far shorter than it otherwise could’ve been.
Fantasy and sci-fi films push our suspension of disbelief regularly – but can we complain about them being unrealistic if this is pushed too far?
Today we are going to look at the biotech tool called CRISPR that may have the potential to bring the future depicted by Gattaca to life.
In the latest of our Away From the Hype series, we examine Indiana Jones and the Kingdom of the Crystal Skull, to see whether it is deserving of its negative reputation.
For viewers tired of the gloom and doom of most superhero TV series, Marvel’s Runaways is more than worth escaping to.
There are successful films buried within Bird Box, but it refuses to build any identity as a film beyond its concept.
Episode 10 brings Whittaker’s first Doctor Who season to a close, and after her first series of expeditions, it is clear that the writers have struggled to balance a female Doctor.
In this beginner’s guide we look back at the career of director Joe Dante, focusing mostly on his iconic 1980s hits.
“It Takes You Away” takes us to another foreign land, where the story is at times weak, but the script is always punchy and progressive, with unexpected twists, moths, and frogs throughout.
As a stylistic achievement of world-building, the animated saga Spider-Man: Into The Spider-Verse is just bursting at the seams with an infectious energy that can barely be contained by a single film.
