superhero
In a 2013 interview, renowned director Steven Spielberg warned of what he called a coming “implosion” regarding summer blockbuster films. Due to Hollywood’s over-reliance on the summer box office, Spielberg believed that blockbusters constrained in this time frame would undergo drastic price changes to set them on top. In an interview, he stated that at some point “you’re gonna have to pay $25 for the next Iron Man, you’re probably only going to have to pay $7 to see Lincoln.
Fantastic Four is a film that people wanted to hate from the start. First, there was the controversial casting of Michael B. Jordan as the traditionally white character Johnny Storm; shortly following this was the discovery that Victor Von Doom was a computer hacker instead of a brilliant inventor; finally, there was the casting itself, which involved younger characters just finishing high school, whereas most adaptations of the story present the Fantastic Four as adults.
Before watching Ant-Man, it would be safe to predict that the movie would be the film that destroys the foundations of the Marvel Cinematic Universe. This is a film that has suffered from well-publicised production troubles, leading many to question the artistic integrity of the directors the studio chooses to helm its projects, whose directorial vision has to be sacrificed in order to create another chapter in studio head Kevin Feige’s grand master plan. Production troubles sometimes lead to fantastic movies, but more often than not, they lead to gigantic box office flops – not even the seemingly unbeatable Marvel can overcome that, surely?
With 2015’s blockbuster season kicking off with two box office smashing sequels in Fast & Furious 7 and The Avengers: Age of Ultron, the film industry now, more than ever, lies at the behest of the big-budget follow-up. Star Wars:
When I think back to Avengers: Age of Ultron, the best thing I can compare it to is a multi-layered Impressionist painting. From up close, it often looks and feels like an over-stuffed mess, as if director Joss Whedon was trying to cram as much as possible into his 2 hour and 20 minute timeframe.
Villains, if written well, can be the most interesting types of characters of any story. They can drive plots forward, up the action and even provide some emotional tension. Villains, if written well, can be a lot more human than any hero.
Big Hero 6 takes the cultural stereotypes of the East and West, smashes them together to a fine powder, and fabricates from it a 100-minute ride that is so eye-poppingly pretty, so gently moving and so explosively inventive that it’s the most unabashed, jolting fun you’ll have at the movies this year. Even after turning out two very strong features like Wreck-it Ralph and Frozen, Disney proves once again that its capability to push boundaries of imagination is strengthening by each passing endeavor. Disney at its absolute peak Based on a Marvel comic, directors Don Hall and Chris Williams gather the immense arsenal of talent at Disney to conjure up on screen the beautiful cherry-bomb of a city called San Fransokyo – a hybrid mash-up of the architectural sensibilities and culture of San Francisco and Tokyo.
I am a member of a generation that covets nostalgia more than any that has come before it. The Internet allows us to relive our childhood memories whenever we wish. It can be comforting to look back at the cartoons you watched as a kid or be reminded of that candy you loved that has since been discontinued.
Guardians of the Galaxy, the latest instalment in the Marvel cinematic universe, has just smashed box-office records on its way to being number one, raking in almost five times as much as its nearest competitor. It continues the highly successful “phase two” of the studio’s cinematic output which is timetabled until at least 2019. On the face of it, their films are among the safest bets in Hollywood – it is taken for granted that Marvel equals success.
The best film of the summer is here, and it is the Guardians of the Galaxy. After months of promos and trailers, the time has come to see Marvel’s newest addition to its universe of superhero films. According to The Wrap, it got started with a nice boost from Thursday night showings with $11.
The hottest and most popular film genre is the superhero genre. Since the late ’90s, thanks to DC Comics and Marvel Pictures, they have consistently produced superhero films that bring audiences in big masses to theaters. So far this year, there have been three films from that genre, and we are still waiting for the much-anticipated release of Marvel’s Guardians of the Galaxy on August 1st.
Ever since Spider-Man came out in 2002, I’ve become a fan of comic book-based films. While not the guru my boyfriend is, I know my way around the Marvel Universe pretty well. But I always wondered – why isn’t Spidey in any of “The Avengers” movies!?
X-Men: First Class wasn’t necessarily designed to be part of the original trilogy’s continuity. X-Men:
What is a vigilante? They often exist in settings where justice itself fails; police has become incapable of fighting crime, either because the perpetrator outwits them or because they have an extraterrestrial power that the police simply does not have the power to deal with. This is when the vigilante arises, a man or woman or a bunch of them, who takes justice in his, her or their own hand:
For anyone who hasn’t noticed yet, The Amazing Spider-Man 2 is getting destroyed by critics.It’s currently got a 54 percent on Rotten Tomatoes. Not only is that nearly 20 points down from the first installment, it’s less than the critically reviled Spider-Man 3 or X-Men: