United Kingdom
I have to admit, I was a little excited to see that a sequel had been made to The Best Exotic Marigold Hotel. I had liked it and was curious as to what had happened to the characters. But what is more, I went to see the first film with my grandmother and I knew how much she and her friends liked it.
John Legend and Common’s powerful performance of Best Original Song nominee, “Glory,” and brave acceptance speech was one of the highlights of the Oscar ceremony last week. That song was a resonant soul/hip-hop combo that captured the atmosphere of its source film well: Ava DuVernay’s Selma, a historical drama about Martin Luther King and the Voting Rights Act of 1965.
First, think of the most overused plot of an espionage action thriller. Throw in a young, rebellious kid who dares to walk in his father’s once-proud footsteps. Finally, mix in a cartoonish super-villian with unbelievable plans to destroy the world and a super-secret spy agency that is at their wit’s end in their attempts to stop him.
Biopics are difficult to get right, especially if you’re covering the life story of somebody whose life story is already well known. How do you make it entertaining to an audience familiar with the backstory, yet still entertaining to a new audience who aren’t? Mike Leigh’s latest directorial effort Mr.
2014 should really be known as “The Year of the Biopic.” There have been films this past year that were based on many world-reknown icons, from Martin Luther King to Stephen Hawking to pop singer James Brown. And somewhere in the midst of all those comes the story of Alan Turing, a British mathematician that almost single-handedly won World War II.
Pretty much every big screen reboot of a beloved childhood TV show has been terrible. Yet for people with a certain nostalgia for it, they will end up loving it regardless of quality. I never watched the Teenage Mutant Ninja Turtles when I was growing up, which is why I can recognize that the recent Michael Bay-produced reboot is terrible, but a worrying amount of people I’m friends with can’t see it as anything other than an extension of what they loved when they were younger.
The Theory of Everything is the story of Stephen Hawking, reflecting his life from his early 20’s until decades later after he had become a world icon. It is at times overly romanticized, and tends to overlook certain elements of Hawking’s disease in order to instead focus on the obvious triumphs of his life. It is still a worthy film, though, and this is mostly due to Eddie Redmayne’s fantastic performance.
The Quiet Ones director John Pogue took a risk – inviting the viewer to follow along with Professor Joseph Coupland’s (Jared Harris) “experiment” to prove that the supernatural is simply a manifestation created in the minds of the mentally disturbed. What Professor Coupland and his team didn’t expect was a genuine haunting. The Quiet Ones was unexpected, different.
When I saw the first preview of this film, it appealed to me as a sci-fi thriller fan. I had every intention of going to the theaters to see it, but alas, I waited too long. Meanwhile, Gravity won several Academy Awards including Best Director, Best Cinematography, Best Visual Effects, and Best Original Score.





